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Paul Moon
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H. Paul Moon is a filmmaker based in New York City and Washington, D.C. whose works concentrate on the performing arts. Major films include “Sitka: A Piano Documentary” about the craftsmanship of Steinway pianos, “Quartet for the End of Time” about Olivier Messiaen’s transcendent WWII composition, and an acclaimed feature film about the life and music of American composer Samuel Barber that premiered on PBS. Moon has created music videos for numerous composers including Moondog, Susan Botti and Angélica Negrón, and three opera films set in a community garden. His film “The Passion of Scrooge” was awarded “Critic's Choice” by Opera News as a “thoroughly enjoyable film version, insightfully conceived and directed” with “first-rate and remarkably illustrative storytelling.” Further highlights include works featured in exhibitions at the Nevada Museum of Art and the City Museum of New York, PBS television broadcasts, and best of show awards in over a dozen international film festivals.

02 October 2026

This Week In Documentary

Written by Paul Moon

As I enter the final quarter of the second year of Nonfics as a newsletter, I’m amazed at myself for never missing a week. There have definitely been times when I wondered about my ability to keep it up without missing a week here or there, whether because of other work commitments or family vacations, or burnout from watching so many documentaries, or the struggle of coming up with enough films to spotlight, let alone give them the stamp of approval that is the Pick of the Week slot. Maybe some of the problem with my motivation this week is that I just saw not only the best film of the year (yes, it’s a documentary), but one of the best of all time, and it’s been tough watching anything else since, where I’m able to give it any of my interest or attention.

Meanwhile, I’ve also been toying again with making these weekly newsletters for paid subscribers only, since I’ve hit a plateau with how much revenue it’s bringing in, and the more work I put into them, the more it takes me away from seeking guaranteed paid assignments. If this happens, I’ll write and/or break out more reviews that publish on the site for anyone to read. And interviews would probably remain free initially. Maybe only the calendar listings would be locked under a paywall, and the rest of the newsletter will still be available to everyone. But is that enough to change the course, for better or worse? Send me a note and let me know what you think.

Without further ado, below are this week’s documentary highlights, followed by daily listings for all known releases and broadcasts, along with a brief look at what’s coming soon for doc fans (including the latest from Judd Apatow, Evgeny Afineevsky, and the late Eleanor Coppola). Please consider becoming a paid subscriber to receive more in-depth highlights and reviews in the future, plus full access to special posts like our best-of lists, and to give me more time to watch more (if not everything) available. If you have a doc needing coverage or a mention, you can reach us at nonficseditor (at) gmail and let us know about its release plans.

Nonfics Pick Of The Week: The Last First: Winter K2 (2026)

Last week, an experienced BASE jumper plummeted 700 feet to his death after his wingsuit failed. Very soon after seeing that news, I had to watch The Last First: Winter K2 for this newsletter. Not that I had been dreading it. I’ve been a fan of its director, Amir Bar-Lev, since he released My Kid Could Paint That nearly 20 years ago. But this already didn’t fit my interests. I have trouble sympathizing with extreme sports enthusiasts who die doing something they knew involved such a risk (I had a similarly hard time with the docuseries The Dark Wizard this year and the NatGeo IMAX feature Fly two years ago). But this could be more than that. Bar-Lev tends to make films that lead to difficult discussions, as with The Tillman Story and Happy Valley.

He also hadn’t directed anything in almost a decade, his last being the Grateful Dead feature Long Strange Trip. That one was tough for me to get into just because I really don’t care about that band, but I’m glad I watched it. I’m more conflicted about The Last First: Winter K2 because, on first viewing, I don’t think it digs enough into its complicated story about the deaths of experienced climbers on K2 in the winter of 2023. But it is thought-provoking, even if I’m still left rather indifferent to the tragedy. The film also touches on something worth further exploration: more inexperienced thrill-seekers are getting into these sports for the wrong reasons, including for attention on social media, or even just tourism, and we hear about more and more fatal accidents involving influencers or careless amateurs trying to get likes.

What is interesting about the story told in The Last First: Winter K2 is that several non-expert climbers were attempting the same ascent that the experts who died were going for, and none of them gave their lives. So this isn’t as much of a cautionary tale for the naive and unskilled, except that maybe they’re to blame for the others’ accidents. There are moments in the film where I got angry about the specific circumstances and the stupidity involved beyond the activity itself. It’s also not necessarily encouraging of the sport for newcomers, unlike a lot of other recent documentaries showcasing successful climbs, jumps, and other dangerous but exciting achievements. Personally, I didn’t need a reminder of why it’s all dumb.

The Last First: Winter K2 begins streaming on Apple TV on Friday, October 2, 2026.


Other Documentary Highlights

Africa: Earth’s Wild Home

Africa: Earth’s Wild Home (2026)

Narrated by Oscar-nominated actress Wunmi Mosaku and featuring Ghost Elephants star and conservation biologist Steve Boyes (among others in his field), Africa: Earth’s Wild Home is a nature series about the titular continent and its wildlife. And it’s already expected to be a multi-year offering. It’s incredible that with all the nature documentaries being made, there’s still so much to show and see, but this planet is huge, and its species are countless. And no matter how many we watch, the cinematography in these programs never ceases to astonish. Each episode looks at a different part of Africa with little vignettes about different animals (I prefer those about little, lesser-known creatures and their eccentricities), and each finishes with footage of the people responsible for the footage. If you already like this stuff, watch it.

Africa: Earth’s Wild Home premieres on National Geographic on Friday, October 2, 2026, with the first four episodes, then airs the final three on Saturday, October 3, 2026. The whole series will begin streaming exclusively in full on Disney+ and Hulu starting on Saturday, October 3, 2026. Pinar Toprak’s original score is also now available to stream wherever you listen to music.

American Pachuco: The Legend Of Luis Valdez (2026)

My favorite narration of the year can be found in American Pachuco: The Legend of Luis Valdez, a film about the titular Chicano theater pioneer and civil rights activist. In my review of the documentary, I noted that the idea of Edward James Olmos providing voiceover as his Zoot Suit character, El Pachuco, “is perfectly executed, fitting the film’s tone and elevating it above the usual biographical fare.” Not only is this a Nonfics Pick, but it was our Pick of the Week in mid-July when the film was released theatrically. Here’s more of what I wrote at the time:

“American Pachuco: The Legend of Luis Valdez profiles the titular playwright and filmmaker, best known to mainstream audiences for writing and directing La Bamba. In a centerpiece interview, Valdez tells most of his own story and explains the meaning of much of his work. Olmos’s ‘Pachuco’ provides more historical and cultural context, such as the origin of the term “Chicano” and the background of the Zoot Suit Riots. And he does so in a way that gives the documentary a distinct attitude.”

American Pachuco: The Legend of Luis Valdez will be broadcast on PBS as an episode of American Masters and VOCES on Tuesday, October 6, 2026.

Everybody To Kenmure Street (2026)

Another prior Pick of the Week (back in May), Everybody to Kenmure Street remains one of my top five documentaries of the year (it was still my number one release of 2026 at the mid-year point). Directed by Felipe Bustos Sierra, the feature presents a positive yet not necessarily hopeful chronicle of a successful immediate and impromptu protest in a Glasgow neighborhood in 2021, and it does so through a variety of techniques and sources that masterfully come together more fluidly than would seem possible. Here’s an excerpt from our review of the documentary:

“There’s really only one element to Everybody to Kenmure Street, and that’s fantastic filmmaking. The various approaches on display are so cohesive that it’s like they’re one. From the outsourced footage to the interviews and the dramatizations, it’s incredibly fluid. I really can’t stop thinking about the beautifully composed interviews, especially one with a protester wearing the same outfit he wore on the day, adding to the consistency of all the material. If there’s any part that breaks that flow, it’s the middle montage, which plays like a parenthetical flashback. But it also provides deep historical context about the setting, elevating the film from an experience to a revelation. It’s a creative work in addition to being important and inspiring, and that makes the latter traits more effective.”

Everybody to Kenmure Street will be released in Los Angeles theaters on Friday, October 2, 2026, via Icarus Films.

Peter Asher: Everywhere Man (2025)

And here’s another documentary that was previously highlighted as a Pick of the Week, this one in June. Peter Asher: Everywhere Man is about a man who should be a music legend but doesn’t seem to be that well known lately. Maybe this documentary will change that. Peter Asher might be most familiar as one half of the duo Peter and Gordon, though he has also been a noteworthy manager and Grammy-winning producer. His legendary status, though, should come from his Zelig/Gump-like biography where he seems to have been present or involved in several significant moments in 20th-century music history, from the rise of The Beatles (while Paul McCartney was living with his family) and later John Lennon meeting Yoko Ono to the singer-songwriter craze of the 1970s. Here’s part of our review of the film:

“Peter Asher: Everywhere Man is not very notable for its construction. It’s a relatively conventional music documentary. Still, the feature similarly centers on its very present subject, who guides the storytelling through newly captured interviews. The film also includes footage of a recent stage performance, where he tells tales of his life and career between singing classic tunes. It’s these tales, supplemented with archival material, that keep the documentary engaging. I was surprisingly delighted by the whole thing.”

Peter Asher: Everywhere Man will be released on DVD and Blu-ray on Tuesday, October 6, via Kino Lorber. The film is also currently available for digital rental or purchase on the usual TVOD (Transactional Video on Demand) platforms.

Vernon, Florida (1981)

Errol Morris’s second documentary, Vernon, Florida, turns 45 years old this week, having premiered at the New York Film Festival on October 8, 1981. It’s a medium-length effort, initially intended to be about people who cut off their own limbs to get insurance money. Instead, it’s about a variety of residents of the titular town. Here’s a bit from a piece on Errol Morris’s first three documentaries:

“Vernon is a small town with plenty of idiosyncrasies, including communication style. Watch this doc with the subtitles on. Whether it’s accent or age or various localisms, these men of Florida’s panhandle are difficult to follow without textual corroboration. It’s a shorter feature, but dense with funny scenes and lines. Townsmen share their interests, property, and animals, and delve into common myths and goals. They perform for the camera, so you get the sense that (at least some of) the absurdity is a joke we are all in on.”

Vernon, Florida is currently available to stream on The Criterion Channel, Kanopy, SundanceNow, and AMC+.

Who Is Martin Mull? (2026)

I can’t share my opinion about Who Is Martin Mull? as it’s under review embargo until its release date (as is too common with Netflix releases), but I will note that it’s got the *Nonfics Pick* stamp of approval and recommendation in the listings below (Netflix will hopefully forgive me for saying so). What I can say is that this celebrity biography has a melancholy quality even just looking at the credits. The documentary feature was originally started a decade ago with Bob Saget directing before he died without being able to finish the project. In the time it’s taken for the film to be released (with Neil Berkeley co-directing and Morgan Neville involved as an executive producer), not only has Mull himself died, but more of his friends interviewed on screen, including Fred Willard and Norman Lear, have also passed.

Martin Mull was a favorite character actor for my family as I was growing up. Yes, he appeared in Mr. Mom and Clue, which were in heavy rotation, but I think he also reminded us of my father, especially when both had their signature mustache (or shaved it off and just weren’t the same). I’m therefore shocked that I didn’t realize how much of a fine artist Mull was, though that’s part of the premise of Who Is Martin Mull?, which is about how little he was known as a painter despite that being his true passion, with acting, comedy, and music pursuits being essentially successful side hustles to support his real professional interests. Anyway, that’s all I’ll say for now, but if you recognize Mull from anything, you should watch this to get to know him better.

Who Is Martin Mull? will premiere and begin streaming exclusively on Netflix on Wednesday, October 7, 2026.

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Documentary Release Calendar 10/2/26 – 10/8/26

Peter Asher: Everywhere Man

Friday, October 2, 2026

Africa: Earth’s Wild Home Episodes 1-4: “Welcome to Africa,” “Jungle,” “Islands,” and “Desert” – The first four installments of a seven-part nature series narrated by Wunmi Mosaku that showcases new and rare animal species in Africa. See our highlights section for more info and a brief review. (National Geographic)

ASCO: Without Permission (2025) – A documentary feature about a Los Angeles avant-garde art group. (PBS)

The Endless Road (2025) – A documentary feature about guitarist Tommy Emmanuel. (In Theaters)

Everybody to Kenmure Street (2026) – A documentary feature about Glasgow residents coming together against deportation threats. See our highlights section for more info and a link to our review. *NONFICS PICK* (In Theaters: Los Angeles Release)

Gamechangers: Mother/Athlete (2026) – A documentary feature that explores motherhood in the WNBA. (The Roku Channel)

Glimpses of Florida (1950) – A short documentary installment of James A. FitzPatrick’s TravelTalks travelogue franchise that explores popular destinations in Florida. (TCM)

Hear My Cry (1991) – A medium-length documentary by Maciej Drygas (Trains) about an accountant who set himself on fire in 1968 to protest the Soviet invasion of Czechoslovakia. (OVID)

Holding Liat (2025) – A documentary feature about the father of an Israeli-American held hostage in Gaza after October 7. *NONFICS PICK* (VOD)

Kupuna Aina: Hawai’i, The Land Remembers (2026) – A documentary about Hawaiian culture. (In Theaters)

The Last First: Winter K2 (2026) – A documentary feature by Amir Bar-Lev (The Tillman Story) about the first successful winter summit climb of K2 (at least for the two-thirds of the people who attempted it), five years ago. See our highlights section for more info and a brief review. *NONFICS PICK* (Apple TV)

Lon Chaney: A Thousand Faces (2000) – A documentary feature about the titular silent film actor and makeup artist. (TCM)

Mysteries from Above Season 5, Episode 1: “Unexpected Naturally” – The latest installment of a docuseries that investigates significant locations from a bird’s-eye view. This episode includes sites in Latvia, Hawaii, Australia, and Spain. (History)

Schumacher ‘94: The Birth of a Legend (2026) – A documentary feature about Formula 1 racer Michael Schumacher and his breakthrough 1994 season. (Netflix)

Two Chairs (2026) – A documentary about chair design. (In Theaters)

The Unbelievable with Dan Aykroyd Season 4, Episode 1: “Epic Fails” – The latest installment of a docuseries about mysterious and bizarre people and things. (History)

Saturday, October 3, 2026

Africa: Earth’s Wild Home – An entire seven-part nature series narrated by Wunmi Mosaku that showcases new and rare animal species in Africa. See our highlights section for more info and a brief review. (Disney+ and Hulu)

Africa: Earth’s Wild Home Episodes 5-7: “Plains,” “Extremes,” and “Africa’s Wild Future” – The second half of a seven-part nature series narrated by Wunmi Mosaku that showcases new and rare animal species in Africa. See our highlights section for more info and a brief review. (National Geographic)

Austin City Limits Season 52, Episode 5: “Sienna Spiro” – The latest installment of a long-running music series. (PBS)

Earth Odyssey with Dylan Dreyer Season 9, Episode 1: “Freestyling in the Forest” – The latest installment of an adventure series that takes viewers to exotic locations. This episode is set in Portugal. (NBC)

Lucky Dog: Down Under Season 2, Episode 1 – A docuseries in the Lucky Dog franchise starring animal trainer Brandon McMillan as he works in Australia. (CBS)

Mutual of Omaha’s Wild Kingdom Protecting the Wild Season 4, Episode 1: “Return of the Jaguars” – The latest installment of a nature series focused on wildlife conservation. This episode involves jaguars in Costa Rica. (NBC)

Prosecuting Evil with Kelly Siegler Season 3, Episode 1: “The Texas Seven” – The latest episode of a true-crime docuseries involving murder trials in Texas. (Oxygen)

Super Animals Season 4, Episode 7 – The latest episode of a nature docuseries for kids about animals with special traits. (National Geographic)

Take a Cue (1939) – A documentary in which students are taught the game of billiards (TCM)

Sunday, October 4, 2026

Adore Him (2026) – A documentary feature about the transforming power of encountering God. (In Theaters)

Late Night Law Season 2, Episode 1: “We Got a Runner!” – The latest installment of a docuseries that follows law enforcement during the night shift. (A&E)

A Look Back at Crossbow (1965) – A short documentary promoting the movie Operation Crossbow. (TCM)

Monday, October 5, 2026

The Greatest Year in Pop Culture (2026) – A docuseries about the years that shaped modern pop culture. (E! and Fandango)

Harlan Coben’s Final Twist Season 2, Episode 1: “Betsy’s Trust” – The latest installment of a true-crime docuseries exposing shocking murders and scandals. This episode involves the stabbing of a churchgoing mother. (CBS and Paramount+)

The Metro-Goldwyn-Mayer Story (1951) – A medium-length documentary presenting footage from new MGM movies of that year. (TCM)

My Omaha (2025) – A documentary feature by Nick Beaulieu about his effort to reconnect with his terminally ill father amidst Omaha’s racial justice movement. Presented as an episode of Independent Lens. (PBS)

Tuesday, October 6, 2026

American Pachuco: The Legend of Luis Valdez (2026) – A documentary feature about the titular activist and filmmaker. Presented as an episode of American Masters. See our highlights section for more info and a link to our review. *NONFICS PICK* (PBS)

Dolph: Unbreakable (2025) – A documentary feature about the actor Dolph Lundgren. (VOD)

Iron Maiden: Burning Ambition (2026) – A documentary feature about the titular heavy metal band. (DVD, Blu-ray, and 4K Ultra HD)

Jackass: Best and Last (2026) – The fifth feature-length installment of the Jackass franchise. This one looks back at classic stunts and presents new gags as well. (DVD and Blu-ray)

John Lilly and the Earth Coincidence Control Office (2025) – A documentary feature directed by Michael Almereyda (William Eggleston in the Real World) and Courtney Stephens, and narrated by Chloë Sevigny, about a neuroscientist studying the limits of consciousness. (DVD and Blu-ray)

Peter Asher: Everywhere Man (2025) – A documentary feature about the titular pop star and record producer. See our highlights section for more info and a link to our review. *NONFICS PICK* (DVD and Blu-ray)

You Must Remember This: The Warner Bros. Story (2008) – A three-part docuseries about the history of Warner Bros. (DVD)

Your Attention Please (2026) – A documentary feature about social media’s impact on youth safety and mental health. (VOD)

Wednesday, October 7, 2026

The Art of Adventure (2025) –A documentary that looks back at two environmental activists who traveled the world in 1957. (In Theaters)

Ghost Adventures Season 31, Episode 2: “Possession in Pilot Rock” – The latest installment of a docuseries following paranormal investigators. (Discovery Channel)

MGM Parade Show #13 (1955) – This installment of the Hollywood-focused docuseries showcases the MGM films The Great Waltz and I’ll Cry Tomorrow. (TCM)

Nova Season 53, Episode 12: “Space Wars” – The latest installment of a science docuseries. This episode involves satellites. (PBS)

The Serial Killer Connection Season 1, Episode 1 – A three-part true-crime docuseries that teams up a serial killer’s ex-wife and a survivor as they investigate murders. (Investigation Discovery)

State of Weightlessness (1994) – A medium-length documentary by Maciej Drygas (Trains) about the Cold War as seen through footage of Soviet space missions. (OVID)

Stormbound (2026) – A documentary feature that follows a chronically ill man as he chases hurricanes. (In Theaters)

Who is Martin Mull? (2026) – A documentary directed by Neil Berkeley (Gilbert) about the titular actor. See our highlights section for more info. *NONFICS PICK* (Netflix)

Thursday, October 8, 2026

Archive X: Unexplained Phenomena Season 1, Episode 2: “Alien Abduction” – A docuseries that explores prophetic dreams, ESP, near-death experiences, alien encounters, and messages from beyond. (Sundance Channel)

Changing (1971) – A short documentary about a young family coping with changing social values in the 1960s. (TCM)

Saban (2026) – A six-part docuseries about college football coach Nick Saban. (ESPN)

SB19 Wakas at Simula: The Trilogy Concert Finale In Cinemas (2026) – A concert film starring the Filipino group SB19. (In Theaters)

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Sneak Peek At What’s Coming Soon

10/9 – Unmasking the Tylenol Killer – A documentary feature spun off from the series Unsolved Mysteries about a 44-year-old cold case from 1982 that might be tied to a serial killer, but not in the way you’d expect. (The Roku Channel)

10/11 – The Pet Cemetery Murders: A Ghost Story – A three-part true-crime docuseries centered around the death of a pet cemetery owner. Watch the new trailer for the series below. (HBO and HBO Max)

10/13 – Tyson – A four-part docuseries about Mike Tyson. (Netflix)

10/14 – Daylight – A short documentary about a man serving a life sentence for murder who gets through his situation thanks to Taylor Swift’s music. (The New Yorker)

10/16 – Norm: The Tale of Norm Macdonald – A documentary feature directed by Judd Apatow (Mel Brooks: The 99 Year Old Man!) about the titular comedian. Watch the new trailer for the film below. (Netflix)

10/18 – Snapped: Killer Moms – A true-crime docuseries about mothers who kill to protect or avenge their children. (Oxygen)

10/23 – Paralyzed by Hope: The Maria Bamford Story – A documentary feature directed by Judd Apatow (Mel Brooks: The 99 Year Old Man!) and Neil Berkeley (Gilbert) about the titular comedian. Watch the new trailer for the film below. (Netflix)

10/28 – Blind AF – A documentary about a blind Paralympic champion attempting a record-breaking cross-country bike ride. (Prime Video)

10/30 – SCTV: The Greatest Show You’ve Never Heard Of – A documentary feature directed by Jason Hehir (The Last Dance) about the history of the titular sketch comedy show. Watch the new trailer for the film below. (Netflix)

11/4 – Birds of War – A documentary feature that follows the love story of a London-based Lebanese journalist and Syrian activist/cameraman. (In Theaters)

11/6 – Making Marie Antoinette – A making-of documentary directed by Eleanor Coppola about her daughter Sofia’s film Maria Antoinette. Watch a clip from the film below. (Mubi)

11/12 – An Eye for an Eye – A documentary feature about a woman convicted of killing her husband and now facing execution under Sharia law. (In Theaters – NYC Release)

11/20 – Ash & Crayons – A documentary feature by Oscar-nominated director Evgeny Afineevsky (Winter on Fire: Ukraine’s Fight for Freedom) that follows seven Ukrainian children during the war. (In Theaters)

Nonfics is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

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02 October 2026

This Week In Documentary

Written by Paul Moon

As I enter the final quarter of the second year of Nonfics as a newsletter, I’m amazed at myself for never missing a week. There have definitely been times when I wondered about my ability to keep it up without missing a week here or there, whether because of other work commitments or family vacations, or burnout from watching so many documentaries, or the struggle of coming up with enough films to spotlight, let alone give them the stamp of approval that is the Pick of the Week slot. Maybe some of the problem with my motivation this week is that I just saw not only the best film of the year (yes, it’s a documentary), but one of the best of all time, and it’s been tough watching anything else since, where I’m able to give it any of my interest or attention.

Meanwhile, I’ve also been toying again with making these weekly newsletters for paid subscribers only, since I’ve hit a plateau with how much revenue it’s bringing in, and the more work I put into them, the more it takes me away from seeking guaranteed paid assignments. If this happens, I’ll write and/or break out more reviews that publish on the site for anyone to read. And interviews would probably remain free initially. Maybe only the calendar listings would be locked under a paywall, and the rest of the newsletter will still be available to everyone. But is that enough to change the course, for better or worse? Send me a note and let me know what you think.

Without further ado, below are this week’s documentary highlights, followed by daily listings for all known releases and broadcasts, along with a brief look at what’s coming soon for doc fans (including the latest from Judd Apatow, Evgeny Afineevsky, and the late Eleanor Coppola). Please consider becoming a paid subscriber to receive more in-depth highlights and reviews in the future, plus full access to special posts like our best-of lists, and to give me more time to watch more (if not everything) available. If you have a doc needing coverage or a mention, you can reach us at nonficseditor (at) gmail and let us know about its release plans.

Nonfics Pick Of The Week: The Last First: Winter K2 (2026)

Last week, an experienced BASE jumper plummeted 700 feet to his death after his wingsuit failed. Very soon after seeing that news, I had to watch The Last First: Winter K2 for this newsletter. Not that I had been dreading it. I’ve been a fan of its director, Amir Bar-Lev, since he released My Kid Could Paint That nearly 20 years ago. But this already didn’t fit my interests. I have trouble sympathizing with extreme sports enthusiasts who die doing something they knew involved such a risk (I had a similarly hard time with the docuseries The Dark Wizard this year and the NatGeo IMAX feature Fly two years ago). But this could be more than that. Bar-Lev tends to make films that lead to difficult discussions, as with The Tillman Story and Happy Valley.

He also hadn’t directed anything in almost a decade, his last being the Grateful Dead feature Long Strange Trip. That one was tough for me to get into just because I really don’t care about that band, but I’m glad I watched it. I’m more conflicted about The Last First: Winter K2 because, on first viewing, I don’t think it digs enough into its complicated story about the deaths of experienced climbers on K2 in the winter of 2023. But it is thought-provoking, even if I’m still left rather indifferent to the tragedy. The film also touches on something worth further exploration: more inexperienced thrill-seekers are getting into these sports for the wrong reasons, including for attention on social media, or even just tourism, and we hear about more and more fatal accidents involving influencers or careless amateurs trying to get likes.

What is interesting about the story told in The Last First: Winter K2 is that several non-expert climbers were attempting the same ascent that the experts who died were going for, and none of them gave their lives. So this isn’t as much of a cautionary tale for the naive and unskilled, except that maybe they’re to blame for the others’ accidents. There are moments in the film where I got angry about the specific circumstances and the stupidity involved beyond the activity itself. It’s also not necessarily encouraging of the sport for newcomers, unlike a lot of other recent documentaries showcasing successful climbs, jumps, and other dangerous but exciting achievements. Personally, I didn’t need a reminder of why it’s all dumb.

The Last First: Winter K2 begins streaming on Apple TV on Friday, October 2, 2026.


Other Documentary Highlights

Africa: Earth’s Wild Home

Africa: Earth’s Wild Home (2026)

Narrated by Oscar-nominated actress Wunmi Mosaku and featuring Ghost Elephants star and conservation biologist Steve Boyes (among others in his field), Africa: Earth’s Wild Home is a nature series about the titular continent and its wildlife. And it’s already expected to be a multi-year offering. It’s incredible that with all the nature documentaries being made, there’s still so much to show and see, but this planet is huge, and its species are countless. And no matter how many we watch, the cinematography in these programs never ceases to astonish. Each episode looks at a different part of Africa with little vignettes about different animals (I prefer those about little, lesser-known creatures and their eccentricities), and each finishes with footage of the people responsible for the footage. If you already like this stuff, watch it.

Africa: Earth’s Wild Home premieres on National Geographic on Friday, October 2, 2026, with the first four episodes, then airs the final three on Saturday, October 3, 2026. The whole series will begin streaming exclusively in full on Disney+ and Hulu starting on Saturday, October 3, 2026. Pinar Toprak’s original score is also now available to stream wherever you listen to music.

American Pachuco: The Legend Of Luis Valdez (2026)

My favorite narration of the year can be found in American Pachuco: The Legend of Luis Valdez, a film about the titular Chicano theater pioneer and civil rights activist. In my review of the documentary, I noted that the idea of Edward James Olmos providing voiceover as his Zoot Suit character, El Pachuco, “is perfectly executed, fitting the film’s tone and elevating it above the usual biographical fare.” Not only is this a Nonfics Pick, but it was our Pick of the Week in mid-July when the film was released theatrically. Here’s more of what I wrote at the time:

“American Pachuco: The Legend of Luis Valdez profiles the titular playwright and filmmaker, best known to mainstream audiences for writing and directing La Bamba. In a centerpiece interview, Valdez tells most of his own story and explains the meaning of much of his work. Olmos’s ‘Pachuco’ provides more historical and cultural context, such as the origin of the term “Chicano” and the background of the Zoot Suit Riots. And he does so in a way that gives the documentary a distinct attitude.”

American Pachuco: The Legend of Luis Valdez will be broadcast on PBS as an episode of American Masters and VOCES on Tuesday, October 6, 2026.

Everybody To Kenmure Street (2026)

Another prior Pick of the Week (back in May), Everybody to Kenmure Street remains one of my top five documentaries of the year (it was still my number one release of 2026 at the mid-year point). Directed by Felipe Bustos Sierra, the feature presents a positive yet not necessarily hopeful chronicle of a successful immediate and impromptu protest in a Glasgow neighborhood in 2021, and it does so through a variety of techniques and sources that masterfully come together more fluidly than would seem possible. Here’s an excerpt from our review of the documentary:

“There’s really only one element to Everybody to Kenmure Street, and that’s fantastic filmmaking. The various approaches on display are so cohesive that it’s like they’re one. From the outsourced footage to the interviews and the dramatizations, it’s incredibly fluid. I really can’t stop thinking about the beautifully composed interviews, especially one with a protester wearing the same outfit he wore on the day, adding to the consistency of all the material. If there’s any part that breaks that flow, it’s the middle montage, which plays like a parenthetical flashback. But it also provides deep historical context about the setting, elevating the film from an experience to a revelation. It’s a creative work in addition to being important and inspiring, and that makes the latter traits more effective.”

Everybody to Kenmure Street will be released in Los Angeles theaters on Friday, October 2, 2026, via Icarus Films.

Peter Asher: Everywhere Man (2025)

And here’s another documentary that was previously highlighted as a Pick of the Week, this one in June. Peter Asher: Everywhere Man is about a man who should be a music legend but doesn’t seem to be that well known lately. Maybe this documentary will change that. Peter Asher might be most familiar as one half of the duo Peter and Gordon, though he has also been a noteworthy manager and Grammy-winning producer. His legendary status, though, should come from his Zelig/Gump-like biography where he seems to have been present or involved in several significant moments in 20th-century music history, from the rise of The Beatles (while Paul McCartney was living with his family) and later John Lennon meeting Yoko Ono to the singer-songwriter craze of the 1970s. Here’s part of our review of the film:

“Peter Asher: Everywhere Man is not very notable for its construction. It’s a relatively conventional music documentary. Still, the feature similarly centers on its very present subject, who guides the storytelling through newly captured interviews. The film also includes footage of a recent stage performance, where he tells tales of his life and career between singing classic tunes. It’s these tales, supplemented with archival material, that keep the documentary engaging. I was surprisingly delighted by the whole thing.”

Peter Asher: Everywhere Man will be released on DVD and Blu-ray on Tuesday, October 6, via Kino Lorber. The film is also currently available for digital rental or purchase on the usual TVOD (Transactional Video on Demand) platforms.

Vernon, Florida (1981)

Errol Morris’s second documentary, Vernon, Florida, turns 45 years old this week, having premiered at the New York Film Festival on October 8, 1981. It’s a medium-length effort, initially intended to be about people who cut off their own limbs to get insurance money. Instead, it’s about a variety of residents of the titular town. Here’s a bit from a piece on Errol Morris’s first three documentaries:

“Vernon is a small town with plenty of idiosyncrasies, including communication style. Watch this doc with the subtitles on. Whether it’s accent or age or various localisms, these men of Florida’s panhandle are difficult to follow without textual corroboration. It’s a shorter feature, but dense with funny scenes and lines. Townsmen share their interests, property, and animals, and delve into common myths and goals. They perform for the camera, so you get the sense that (at least some of) the absurdity is a joke we are all in on.”

Vernon, Florida is currently available to stream on The Criterion Channel, Kanopy, SundanceNow, and AMC+.

Who Is Martin Mull? (2026)

I can’t share my opinion about Who Is Martin Mull? as it’s under review embargo until its release date (as is too common with Netflix releases), but I will note that it’s got the *Nonfics Pick* stamp of approval and recommendation in the listings below (Netflix will hopefully forgive me for saying so). What I can say is that this celebrity biography has a melancholy quality even just looking at the credits. The documentary feature was originally started a decade ago with Bob Saget directing before he died without being able to finish the project. In the time it’s taken for the film to be released (with Neil Berkeley co-directing and Morgan Neville involved as an executive producer), not only has Mull himself died, but more of his friends interviewed on screen, including Fred Willard and Norman Lear, have also passed.

Martin Mull was a favorite character actor for my family as I was growing up. Yes, he appeared in Mr. Mom and Clue, which were in heavy rotation, but I think he also reminded us of my father, especially when both had their signature mustache (or shaved it off and just weren’t the same). I’m therefore shocked that I didn’t realize how much of a fine artist Mull was, though that’s part of the premise of Who Is Martin Mull?, which is about how little he was known as a painter despite that being his true passion, with acting, comedy, and music pursuits being essentially successful side hustles to support his real professional interests. Anyway, that’s all I’ll say for now, but if you recognize Mull from anything, you should watch this to get to know him better.

Who Is Martin Mull? will premiere and begin streaming exclusively on Netflix on Wednesday, October 7, 2026.

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Documentary Release Calendar 10/2/26 – 10/8/26

Peter Asher: Everywhere Man

Friday, October 2, 2026

Africa: Earth’s Wild Home Episodes 1-4: “Welcome to Africa,” “Jungle,” “Islands,” and “Desert” – The first four installments of a seven-part nature series narrated by Wunmi Mosaku that showcases new and rare animal species in Africa. See our highlights section for more info and a brief review. (National Geographic)

ASCO: Without Permission (2025) – A documentary feature about a Los Angeles avant-garde art group. (PBS)

The Endless Road (2025) – A documentary feature about guitarist Tommy Emmanuel. (In Theaters)

Everybody to Kenmure Street (2026) – A documentary feature about Glasgow residents coming together against deportation threats. See our highlights section for more info and a link to our review. *NONFICS PICK* (In Theaters: Los Angeles Release)

Gamechangers: Mother/Athlete (2026) – A documentary feature that explores motherhood in the WNBA. (The Roku Channel)

Glimpses of Florida (1950) – A short documentary installment of James A. FitzPatrick’s TravelTalks travelogue franchise that explores popular destinations in Florida. (TCM)

Hear My Cry (1991) – A medium-length documentary by Maciej Drygas (Trains) about an accountant who set himself on fire in 1968 to protest the Soviet invasion of Czechoslovakia. (OVID)

Holding Liat (2025) – A documentary feature about the father of an Israeli-American held hostage in Gaza after October 7. *NONFICS PICK* (VOD)

Kupuna Aina: Hawai’i, The Land Remembers (2026) – A documentary about Hawaiian culture. (In Theaters)

The Last First: Winter K2 (2026) – A documentary feature by Amir Bar-Lev (The Tillman Story) about the first successful winter summit climb of K2 (at least for the two-thirds of the people who attempted it), five years ago. See our highlights section for more info and a brief review. *NONFICS PICK* (Apple TV)

Lon Chaney: A Thousand Faces (2000) – A documentary feature about the titular silent film actor and makeup artist. (TCM)

Mysteries from Above Season 5, Episode 1: “Unexpected Naturally” – The latest installment of a docuseries that investigates significant locations from a bird’s-eye view. This episode includes sites in Latvia, Hawaii, Australia, and Spain. (History)

Schumacher ‘94: The Birth of a Legend (2026) – A documentary feature about Formula 1 racer Michael Schumacher and his breakthrough 1994 season. (Netflix)

Two Chairs (2026) – A documentary about chair design. (In Theaters)

The Unbelievable with Dan Aykroyd Season 4, Episode 1: “Epic Fails” – The latest installment of a docuseries about mysterious and bizarre people and things. (History)

Saturday, October 3, 2026

Africa: Earth’s Wild Home – An entire seven-part nature series narrated by Wunmi Mosaku that showcases new and rare animal species in Africa. See our highlights section for more info and a brief review. (Disney+ and Hulu)

Africa: Earth’s Wild Home Episodes 5-7: “Plains,” “Extremes,” and “Africa’s Wild Future” – The second half of a seven-part nature series narrated by Wunmi Mosaku that showcases new and rare animal species in Africa. See our highlights section for more info and a brief review. (National Geographic)

Austin City Limits Season 52, Episode 5: “Sienna Spiro” – The latest installment of a long-running music series. (PBS)

Earth Odyssey with Dylan Dreyer Season 9, Episode 1: “Freestyling in the Forest” – The latest installment of an adventure series that takes viewers to exotic locations. This episode is set in Portugal. (NBC)

Lucky Dog: Down Under Season 2, Episode 1 – A docuseries in the Lucky Dog franchise starring animal trainer Brandon McMillan as he works in Australia. (CBS)

Mutual of Omaha’s Wild Kingdom Protecting the Wild Season 4, Episode 1: “Return of the Jaguars” – The latest installment of a nature series focused on wildlife conservation. This episode involves jaguars in Costa Rica. (NBC)

Prosecuting Evil with Kelly Siegler Season 3, Episode 1: “The Texas Seven” – The latest episode of a true-crime docuseries involving murder trials in Texas. (Oxygen)

Super Animals Season 4, Episode 7 – The latest episode of a nature docuseries for kids about animals with special traits. (National Geographic)

Take a Cue (1939) – A documentary in which students are taught the game of billiards (TCM)

Sunday, October 4, 2026

Adore Him (2026) – A documentary feature about the transforming power of encountering God. (In Theaters)

Late Night Law Season 2, Episode 1: “We Got a Runner!” – The latest installment of a docuseries that follows law enforcement during the night shift. (A&E)

A Look Back at Crossbow (1965) – A short documentary promoting the movie Operation Crossbow. (TCM)

Monday, October 5, 2026

The Greatest Year in Pop Culture (2026) – A docuseries about the years that shaped modern pop culture. (E! and Fandango)

Harlan Coben’s Final Twist Season 2, Episode 1: “Betsy’s Trust” – The latest installment of a true-crime docuseries exposing shocking murders and scandals. This episode involves the stabbing of a churchgoing mother. (CBS and Paramount+)

The Metro-Goldwyn-Mayer Story (1951) – A medium-length documentary presenting footage from new MGM movies of that year. (TCM)

My Omaha (2025) – A documentary feature by Nick Beaulieu about his effort to reconnect with his terminally ill father amidst Omaha’s racial justice movement. Presented as an episode of Independent Lens. (PBS)

Tuesday, October 6, 2026

American Pachuco: The Legend of Luis Valdez (2026) – A documentary feature about the titular activist and filmmaker. Presented as an episode of American Masters. See our highlights section for more info and a link to our review. *NONFICS PICK* (PBS)

Dolph: Unbreakable (2025) – A documentary feature about the actor Dolph Lundgren. (VOD)

Iron Maiden: Burning Ambition (2026) – A documentary feature about the titular heavy metal band. (DVD, Blu-ray, and 4K Ultra HD)

Jackass: Best and Last (2026) – The fifth feature-length installment of the Jackass franchise. This one looks back at classic stunts and presents new gags as well. (DVD and Blu-ray)

John Lilly and the Earth Coincidence Control Office (2025) – A documentary feature directed by Michael Almereyda (William Eggleston in the Real World) and Courtney Stephens, and narrated by Chloë Sevigny, about a neuroscientist studying the limits of consciousness. (DVD and Blu-ray)

Peter Asher: Everywhere Man (2025) – A documentary feature about the titular pop star and record producer. See our highlights section for more info and a link to our review. *NONFICS PICK* (DVD and Blu-ray)

You Must Remember This: The Warner Bros. Story (2008) – A three-part docuseries about the history of Warner Bros. (DVD)

Your Attention Please (2026) – A documentary feature about social media’s impact on youth safety and mental health. (VOD)

Wednesday, October 7, 2026

The Art of Adventure (2025) –A documentary that looks back at two environmental activists who traveled the world in 1957. (In Theaters)

Ghost Adventures Season 31, Episode 2: “Possession in Pilot Rock” – The latest installment of a docuseries following paranormal investigators. (Discovery Channel)

MGM Parade Show #13 (1955) – This installment of the Hollywood-focused docuseries showcases the MGM films The Great Waltz and I’ll Cry Tomorrow. (TCM)

Nova Season 53, Episode 12: “Space Wars” – The latest installment of a science docuseries. This episode involves satellites. (PBS)

The Serial Killer Connection Season 1, Episode 1 – A three-part true-crime docuseries that teams up a serial killer’s ex-wife and a survivor as they investigate murders. (Investigation Discovery)

State of Weightlessness (1994) – A medium-length documentary by Maciej Drygas (Trains) about the Cold War as seen through footage of Soviet space missions. (OVID)

Stormbound (2026) – A documentary feature that follows a chronically ill man as he chases hurricanes. (In Theaters)

Who is Martin Mull? (2026) – A documentary directed by Neil Berkeley (Gilbert) about the titular actor. See our highlights section for more info. *NONFICS PICK* (Netflix)

Thursday, October 8, 2026

Archive X: Unexplained Phenomena Season 1, Episode 2: “Alien Abduction” – A docuseries that explores prophetic dreams, ESP, near-death experiences, alien encounters, and messages from beyond. (Sundance Channel)

Changing (1971) – A short documentary about a young family coping with changing social values in the 1960s. (TCM)

Saban (2026) – A six-part docuseries about college football coach Nick Saban. (ESPN)

SB19 Wakas at Simula: The Trilogy Concert Finale In Cinemas (2026) – A concert film starring the Filipino group SB19. (In Theaters)

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Sneak Peek At What’s Coming Soon

10/9 – Unmasking the Tylenol Killer – A documentary feature spun off from the series Unsolved Mysteries about a 44-year-old cold case from 1982 that might be tied to a serial killer, but not in the way you’d expect. (The Roku Channel)

10/11 – The Pet Cemetery Murders: A Ghost Story – A three-part true-crime docuseries centered around the death of a pet cemetery owner. Watch the new trailer for the series below. (HBO and HBO Max)

10/13 – Tyson – A four-part docuseries about Mike Tyson. (Netflix)

10/14 – Daylight – A short documentary about a man serving a life sentence for murder who gets through his situation thanks to Taylor Swift’s music. (The New Yorker)

10/16 – Norm: The Tale of Norm Macdonald – A documentary feature directed by Judd Apatow (Mel Brooks: The 99 Year Old Man!) about the titular comedian. Watch the new trailer for the film below. (Netflix)

10/18 – Snapped: Killer Moms – A true-crime docuseries about mothers who kill to protect or avenge their children. (Oxygen)

10/23 – Paralyzed by Hope: The Maria Bamford Story – A documentary feature directed by Judd Apatow (Mel Brooks: The 99 Year Old Man!) and Neil Berkeley (Gilbert) about the titular comedian. Watch the new trailer for the film below. (Netflix)

10/28 – Blind AF – A documentary about a blind Paralympic champion attempting a record-breaking cross-country bike ride. (Prime Video)

10/30 – SCTV: The Greatest Show You’ve Never Heard Of – A documentary feature directed by Jason Hehir (The Last Dance) about the history of the titular sketch comedy show. Watch the new trailer for the film below. (Netflix)

11/4 – Birds of War – A documentary feature that follows the love story of a London-based Lebanese journalist and Syrian activist/cameraman. (In Theaters)

11/6 – Making Marie Antoinette – A making-of documentary directed by Eleanor Coppola about her daughter Sofia’s film Maria Antoinette. Watch a clip from the film below. (Mubi)

11/12 – An Eye for an Eye – A documentary feature about a woman convicted of killing her husband and now facing execution under Sharia law. (In Theaters – NYC Release)

11/20 – Ash & Crayons – A documentary feature by Oscar-nominated director Evgeny Afineevsky (Winter on Fire: Ukraine’s Fight for Freedom) that follows seven Ukrainian children during the war. (In Theaters)

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02 October 2026

This Week In Documentary

Written by Paul Moon

As I enter the final quarter of the second year of Nonfics as a newsletter, I’m amazed at myself for never missing a week. There have definitely been times when I wondered about my ability to keep it up without missing a week here or there, whether because of other work commitments or family vacations, or burnout from watching so many documentaries, or the struggle of coming up with enough films to spotlight, let alone give them the stamp of approval that is the Pick of the Week slot. Maybe some of the problem with my motivation this week is that I just saw not only the best film of the year (yes, it’s a documentary), but one of the best of all time, and it’s been tough watching anything else since, where I’m able to give it any of my interest or attention.

Meanwhile, I’ve also been toying again with making these weekly newsletters for paid subscribers only, since I’ve hit a plateau with how much revenue it’s bringing in, and the more work I put into them, the more it takes me away from seeking guaranteed paid assignments. If this happens, I’ll write and/or break out more reviews that publish on the site for anyone to read. And interviews would probably remain free initially. Maybe only the calendar listings would be locked under a paywall, and the rest of the newsletter will still be available to everyone. But is that enough to change the course, for better or worse? Send me a note and let me know what you think.

Without further ado, below are this week’s documentary highlights, followed by daily listings for all known releases and broadcasts, along with a brief look at what’s coming soon for doc fans (including the latest from Judd Apatow, Evgeny Afineevsky, and the late Eleanor Coppola). Please consider becoming a paid subscriber to receive more in-depth highlights and reviews in the future, plus full access to special posts like our best-of lists, and to give me more time to watch more (if not everything) available. If you have a doc needing coverage or a mention, you can reach us at nonficseditor (at) gmail and let us know about its release plans.

Nonfics Pick Of The Week: The Last First: Winter K2 (2026)

Last week, an experienced BASE jumper plummeted 700 feet to his death after his wingsuit failed. Very soon after seeing that news, I had to watch The Last First: Winter K2 for this newsletter. Not that I had been dreading it. I’ve been a fan of its director, Amir Bar-Lev, since he released My Kid Could Paint That nearly 20 years ago. But this already didn’t fit my interests. I have trouble sympathizing with extreme sports enthusiasts who die doing something they knew involved such a risk (I had a similarly hard time with the docuseries The Dark Wizard this year and the NatGeo IMAX feature Fly two years ago). But this could be more than that. Bar-Lev tends to make films that lead to difficult discussions, as with The Tillman Story and Happy Valley.

He also hadn’t directed anything in almost a decade, his last being the Grateful Dead feature Long Strange Trip. That one was tough for me to get into just because I really don’t care about that band, but I’m glad I watched it. I’m more conflicted about The Last First: Winter K2 because, on first viewing, I don’t think it digs enough into its complicated story about the deaths of experienced climbers on K2 in the winter of 2023. But it is thought-provoking, even if I’m still left rather indifferent to the tragedy. The film also touches on something worth further exploration: more inexperienced thrill-seekers are getting into these sports for the wrong reasons, including for attention on social media, or even just tourism, and we hear about more and more fatal accidents involving influencers or careless amateurs trying to get likes.

What is interesting about the story told in The Last First: Winter K2 is that several non-expert climbers were attempting the same ascent that the experts who died were going for, and none of them gave their lives. So this isn’t as much of a cautionary tale for the naive and unskilled, except that maybe they’re to blame for the others’ accidents. There are moments in the film where I got angry about the specific circumstances and the stupidity involved beyond the activity itself. It’s also not necessarily encouraging of the sport for newcomers, unlike a lot of other recent documentaries showcasing successful climbs, jumps, and other dangerous but exciting achievements. Personally, I didn’t need a reminder of why it’s all dumb.

The Last First: Winter K2 begins streaming on Apple TV on Friday, October 2, 2026.


Other Documentary Highlights

Africa: Earth’s Wild Home

Africa: Earth’s Wild Home (2026)

Narrated by Oscar-nominated actress Wunmi Mosaku and featuring Ghost Elephants star and conservation biologist Steve Boyes (among others in his field), Africa: Earth’s Wild Home is a nature series about the titular continent and its wildlife. And it’s already expected to be a multi-year offering. It’s incredible that with all the nature documentaries being made, there’s still so much to show and see, but this planet is huge, and its species are countless. And no matter how many we watch, the cinematography in these programs never ceases to astonish. Each episode looks at a different part of Africa with little vignettes about different animals (I prefer those about little, lesser-known creatures and their eccentricities), and each finishes with footage of the people responsible for the footage. If you already like this stuff, watch it.

Africa: Earth’s Wild Home premieres on National Geographic on Friday, October 2, 2026, with the first four episodes, then airs the final three on Saturday, October 3, 2026. The whole series will begin streaming exclusively in full on Disney+ and Hulu starting on Saturday, October 3, 2026. Pinar Toprak’s original score is also now available to stream wherever you listen to music.

American Pachuco: The Legend Of Luis Valdez (2026)

My favorite narration of the year can be found in American Pachuco: The Legend of Luis Valdez, a film about the titular Chicano theater pioneer and civil rights activist. In my review of the documentary, I noted that the idea of Edward James Olmos providing voiceover as his Zoot Suit character, El Pachuco, “is perfectly executed, fitting the film’s tone and elevating it above the usual biographical fare.” Not only is this a Nonfics Pick, but it was our Pick of the Week in mid-July when the film was released theatrically. Here’s more of what I wrote at the time:

“American Pachuco: The Legend of Luis Valdez profiles the titular playwright and filmmaker, best known to mainstream audiences for writing and directing La Bamba. In a centerpiece interview, Valdez tells most of his own story and explains the meaning of much of his work. Olmos’s ‘Pachuco’ provides more historical and cultural context, such as the origin of the term “Chicano” and the background of the Zoot Suit Riots. And he does so in a way that gives the documentary a distinct attitude.”

American Pachuco: The Legend of Luis Valdez will be broadcast on PBS as an episode of American Masters and VOCES on Tuesday, October 6, 2026.

Everybody To Kenmure Street (2026)

Another prior Pick of the Week (back in May), Everybody to Kenmure Street remains one of my top five documentaries of the year (it was still my number one release of 2026 at the mid-year point). Directed by Felipe Bustos Sierra, the feature presents a positive yet not necessarily hopeful chronicle of a successful immediate and impromptu protest in a Glasgow neighborhood in 2021, and it does so through a variety of techniques and sources that masterfully come together more fluidly than would seem possible. Here’s an excerpt from our review of the documentary:

“There’s really only one element to Everybody to Kenmure Street, and that’s fantastic filmmaking. The various approaches on display are so cohesive that it’s like they’re one. From the outsourced footage to the interviews and the dramatizations, it’s incredibly fluid. I really can’t stop thinking about the beautifully composed interviews, especially one with a protester wearing the same outfit he wore on the day, adding to the consistency of all the material. If there’s any part that breaks that flow, it’s the middle montage, which plays like a parenthetical flashback. But it also provides deep historical context about the setting, elevating the film from an experience to a revelation. It’s a creative work in addition to being important and inspiring, and that makes the latter traits more effective.”

Everybody to Kenmure Street will be released in Los Angeles theaters on Friday, October 2, 2026, via Icarus Films.

Peter Asher: Everywhere Man (2025)

And here’s another documentary that was previously highlighted as a Pick of the Week, this one in June. Peter Asher: Everywhere Man is about a man who should be a music legend but doesn’t seem to be that well known lately. Maybe this documentary will change that. Peter Asher might be most familiar as one half of the duo Peter and Gordon, though he has also been a noteworthy manager and Grammy-winning producer. His legendary status, though, should come from his Zelig/Gump-like biography where he seems to have been present or involved in several significant moments in 20th-century music history, from the rise of The Beatles (while Paul McCartney was living with his family) and later John Lennon meeting Yoko Ono to the singer-songwriter craze of the 1970s. Here’s part of our review of the film:

“Peter Asher: Everywhere Man is not very notable for its construction. It’s a relatively conventional music documentary. Still, the feature similarly centers on its very present subject, who guides the storytelling through newly captured interviews. The film also includes footage of a recent stage performance, where he tells tales of his life and career between singing classic tunes. It’s these tales, supplemented with archival material, that keep the documentary engaging. I was surprisingly delighted by the whole thing.”

Peter Asher: Everywhere Man will be released on DVD and Blu-ray on Tuesday, October 6, via Kino Lorber. The film is also currently available for digital rental or purchase on the usual TVOD (Transactional Video on Demand) platforms.

Vernon, Florida (1981)

Errol Morris’s second documentary, Vernon, Florida, turns 45 years old this week, having premiered at the New York Film Festival on October 8, 1981. It’s a medium-length effort, initially intended to be about people who cut off their own limbs to get insurance money. Instead, it’s about a variety of residents of the titular town. Here’s a bit from a piece on Errol Morris’s first three documentaries:

“Vernon is a small town with plenty of idiosyncrasies, including communication style. Watch this doc with the subtitles on. Whether it’s accent or age or various localisms, these men of Florida’s panhandle are difficult to follow without textual corroboration. It’s a shorter feature, but dense with funny scenes and lines. Townsmen share their interests, property, and animals, and delve into common myths and goals. They perform for the camera, so you get the sense that (at least some of) the absurdity is a joke we are all in on.”

Vernon, Florida is currently available to stream on The Criterion Channel, Kanopy, SundanceNow, and AMC+.

Who Is Martin Mull? (2026)

I can’t share my opinion about Who Is Martin Mull? as it’s under review embargo until its release date (as is too common with Netflix releases), but I will note that it’s got the *Nonfics Pick* stamp of approval and recommendation in the listings below (Netflix will hopefully forgive me for saying so). What I can say is that this celebrity biography has a melancholy quality even just looking at the credits. The documentary feature was originally started a decade ago with Bob Saget directing before he died without being able to finish the project. In the time it’s taken for the film to be released (with Neil Berkeley co-directing and Morgan Neville involved as an executive producer), not only has Mull himself died, but more of his friends interviewed on screen, including Fred Willard and Norman Lear, have also passed.

Martin Mull was a favorite character actor for my family as I was growing up. Yes, he appeared in Mr. Mom and Clue, which were in heavy rotation, but I think he also reminded us of my father, especially when both had their signature mustache (or shaved it off and just weren’t the same). I’m therefore shocked that I didn’t realize how much of a fine artist Mull was, though that’s part of the premise of Who Is Martin Mull?, which is about how little he was known as a painter despite that being his true passion, with acting, comedy, and music pursuits being essentially successful side hustles to support his real professional interests. Anyway, that’s all I’ll say for now, but if you recognize Mull from anything, you should watch this to get to know him better.

Who Is Martin Mull? will premiere and begin streaming exclusively on Netflix on Wednesday, October 7, 2026.

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Documentary Release Calendar 10/2/26 – 10/8/26

Peter Asher: Everywhere Man

Friday, October 2, 2026

Africa: Earth’s Wild Home Episodes 1-4: “Welcome to Africa,” “Jungle,” “Islands,” and “Desert” – The first four installments of a seven-part nature series narrated by Wunmi Mosaku that showcases new and rare animal species in Africa. See our highlights section for more info and a brief review. (National Geographic)

ASCO: Without Permission (2025) – A documentary feature about a Los Angeles avant-garde art group. (PBS)

The Endless Road (2025) – A documentary feature about guitarist Tommy Emmanuel. (In Theaters)

Everybody to Kenmure Street (2026) – A documentary feature about Glasgow residents coming together against deportation threats. See our highlights section for more info and a link to our review. *NONFICS PICK* (In Theaters: Los Angeles Release)

Gamechangers: Mother/Athlete (2026) – A documentary feature that explores motherhood in the WNBA. (The Roku Channel)

Glimpses of Florida (1950) – A short documentary installment of James A. FitzPatrick’s TravelTalks travelogue franchise that explores popular destinations in Florida. (TCM)

Hear My Cry (1991) – A medium-length documentary by Maciej Drygas (Trains) about an accountant who set himself on fire in 1968 to protest the Soviet invasion of Czechoslovakia. (OVID)

Holding Liat (2025) – A documentary feature about the father of an Israeli-American held hostage in Gaza after October 7. *NONFICS PICK* (VOD)

Kupuna Aina: Hawai’i, The Land Remembers (2026) – A documentary about Hawaiian culture. (In Theaters)

The Last First: Winter K2 (2026) – A documentary feature by Amir Bar-Lev (The Tillman Story) about the first successful winter summit climb of K2 (at least for the two-thirds of the people who attempted it), five years ago. See our highlights section for more info and a brief review. *NONFICS PICK* (Apple TV)

Lon Chaney: A Thousand Faces (2000) – A documentary feature about the titular silent film actor and makeup artist. (TCM)

Mysteries from Above Season 5, Episode 1: “Unexpected Naturally” – The latest installment of a docuseries that investigates significant locations from a bird’s-eye view. This episode includes sites in Latvia, Hawaii, Australia, and Spain. (History)

Schumacher ‘94: The Birth of a Legend (2026) – A documentary feature about Formula 1 racer Michael Schumacher and his breakthrough 1994 season. (Netflix)

Two Chairs (2026) – A documentary about chair design. (In Theaters)

The Unbelievable with Dan Aykroyd Season 4, Episode 1: “Epic Fails” – The latest installment of a docuseries about mysterious and bizarre people and things. (History)

Saturday, October 3, 2026

Africa: Earth’s Wild Home – An entire seven-part nature series narrated by Wunmi Mosaku that showcases new and rare animal species in Africa. See our highlights section for more info and a brief review. (Disney+ and Hulu)

Africa: Earth’s Wild Home Episodes 5-7: “Plains,” “Extremes,” and “Africa’s Wild Future” – The second half of a seven-part nature series narrated by Wunmi Mosaku that showcases new and rare animal species in Africa. See our highlights section for more info and a brief review. (National Geographic)

Austin City Limits Season 52, Episode 5: “Sienna Spiro” – The latest installment of a long-running music series. (PBS)

Earth Odyssey with Dylan Dreyer Season 9, Episode 1: “Freestyling in the Forest” – The latest installment of an adventure series that takes viewers to exotic locations. This episode is set in Portugal. (NBC)

Lucky Dog: Down Under Season 2, Episode 1 – A docuseries in the Lucky Dog franchise starring animal trainer Brandon McMillan as he works in Australia. (CBS)

Mutual of Omaha’s Wild Kingdom Protecting the Wild Season 4, Episode 1: “Return of the Jaguars” – The latest installment of a nature series focused on wildlife conservation. This episode involves jaguars in Costa Rica. (NBC)

Prosecuting Evil with Kelly Siegler Season 3, Episode 1: “The Texas Seven” – The latest episode of a true-crime docuseries involving murder trials in Texas. (Oxygen)

Super Animals Season 4, Episode 7 – The latest episode of a nature docuseries for kids about animals with special traits. (National Geographic)

Take a Cue (1939) – A documentary in which students are taught the game of billiards (TCM)

Sunday, October 4, 2026

Adore Him (2026) – A documentary feature about the transforming power of encountering God. (In Theaters)

Late Night Law Season 2, Episode 1: “We Got a Runner!” – The latest installment of a docuseries that follows law enforcement during the night shift. (A&E)

A Look Back at Crossbow (1965) – A short documentary promoting the movie Operation Crossbow. (TCM)

Monday, October 5, 2026

The Greatest Year in Pop Culture (2026) – A docuseries about the years that shaped modern pop culture. (E! and Fandango)

Harlan Coben’s Final Twist Season 2, Episode 1: “Betsy’s Trust” – The latest installment of a true-crime docuseries exposing shocking murders and scandals. This episode involves the stabbing of a churchgoing mother. (CBS and Paramount+)

The Metro-Goldwyn-Mayer Story (1951) – A medium-length documentary presenting footage from new MGM movies of that year. (TCM)

My Omaha (2025) – A documentary feature by Nick Beaulieu about his effort to reconnect with his terminally ill father amidst Omaha’s racial justice movement. Presented as an episode of Independent Lens. (PBS)

Tuesday, October 6, 2026

American Pachuco: The Legend of Luis Valdez (2026) – A documentary feature about the titular activist and filmmaker. Presented as an episode of American Masters. See our highlights section for more info and a link to our review. *NONFICS PICK* (PBS)

Dolph: Unbreakable (2025) – A documentary feature about the actor Dolph Lundgren. (VOD)

Iron Maiden: Burning Ambition (2026) – A documentary feature about the titular heavy metal band. (DVD, Blu-ray, and 4K Ultra HD)

Jackass: Best and Last (2026) – The fifth feature-length installment of the Jackass franchise. This one looks back at classic stunts and presents new gags as well. (DVD and Blu-ray)

John Lilly and the Earth Coincidence Control Office (2025) – A documentary feature directed by Michael Almereyda (William Eggleston in the Real World) and Courtney Stephens, and narrated by Chloë Sevigny, about a neuroscientist studying the limits of consciousness. (DVD and Blu-ray)

Peter Asher: Everywhere Man (2025) – A documentary feature about the titular pop star and record producer. See our highlights section for more info and a link to our review. *NONFICS PICK* (DVD and Blu-ray)

You Must Remember This: The Warner Bros. Story (2008) – A three-part docuseries about the history of Warner Bros. (DVD)

Your Attention Please (2026) – A documentary feature about social media’s impact on youth safety and mental health. (VOD)

Wednesday, October 7, 2026

The Art of Adventure (2025) –A documentary that looks back at two environmental activists who traveled the world in 1957. (In Theaters)

Ghost Adventures Season 31, Episode 2: “Possession in Pilot Rock” – The latest installment of a docuseries following paranormal investigators. (Discovery Channel)

MGM Parade Show #13 (1955) – This installment of the Hollywood-focused docuseries showcases the MGM films The Great Waltz and I’ll Cry Tomorrow. (TCM)

Nova Season 53, Episode 12: “Space Wars” – The latest installment of a science docuseries. This episode involves satellites. (PBS)

The Serial Killer Connection Season 1, Episode 1 – A three-part true-crime docuseries that teams up a serial killer’s ex-wife and a survivor as they investigate murders. (Investigation Discovery)

State of Weightlessness (1994) – A medium-length documentary by Maciej Drygas (Trains) about the Cold War as seen through footage of Soviet space missions. (OVID)

Stormbound (2026) – A documentary feature that follows a chronically ill man as he chases hurricanes. (In Theaters)

Who is Martin Mull? (2026) – A documentary directed by Neil Berkeley (Gilbert) about the titular actor. See our highlights section for more info. *NONFICS PICK* (Netflix)

Thursday, October 8, 2026

Archive X: Unexplained Phenomena Season 1, Episode 2: “Alien Abduction” – A docuseries that explores prophetic dreams, ESP, near-death experiences, alien encounters, and messages from beyond. (Sundance Channel)

Changing (1971) – A short documentary about a young family coping with changing social values in the 1960s. (TCM)

Saban (2026) – A six-part docuseries about college football coach Nick Saban. (ESPN)

SB19 Wakas at Simula: The Trilogy Concert Finale In Cinemas (2026) – A concert film starring the Filipino group SB19. (In Theaters)

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Sneak Peek At What’s Coming Soon

10/9 – Unmasking the Tylenol Killer – A documentary feature spun off from the series Unsolved Mysteries about a 44-year-old cold case from 1982 that might be tied to a serial killer, but not in the way you’d expect. (The Roku Channel)

10/11 – The Pet Cemetery Murders: A Ghost Story – A three-part true-crime docuseries centered around the death of a pet cemetery owner. Watch the new trailer for the series below. (HBO and HBO Max)

10/13 – Tyson – A four-part docuseries about Mike Tyson. (Netflix)

10/14 – Daylight – A short documentary about a man serving a life sentence for murder who gets through his situation thanks to Taylor Swift’s music. (The New Yorker)

10/16 – Norm: The Tale of Norm Macdonald – A documentary feature directed by Judd Apatow (Mel Brooks: The 99 Year Old Man!) about the titular comedian. Watch the new trailer for the film below. (Netflix)

10/18 – Snapped: Killer Moms – A true-crime docuseries about mothers who kill to protect or avenge their children. (Oxygen)

10/23 – Paralyzed by Hope: The Maria Bamford Story – A documentary feature directed by Judd Apatow (Mel Brooks: The 99 Year Old Man!) and Neil Berkeley (Gilbert) about the titular comedian. Watch the new trailer for the film below. (Netflix)

10/28 – Blind AF – A documentary about a blind Paralympic champion attempting a record-breaking cross-country bike ride. (Prime Video)

10/30 – SCTV: The Greatest Show You’ve Never Heard Of – A documentary feature directed by Jason Hehir (The Last Dance) about the history of the titular sketch comedy show. Watch the new trailer for the film below. (Netflix)

11/4 – Birds of War – A documentary feature that follows the love story of a London-based Lebanese journalist and Syrian activist/cameraman. (In Theaters)

11/6 – Making Marie Antoinette – A making-of documentary directed by Eleanor Coppola about her daughter Sofia’s film Maria Antoinette. Watch a clip from the film below. (Mubi)

11/12 – An Eye for an Eye – A documentary feature about a woman convicted of killing her husband and now facing execution under Sharia law. (In Theaters – NYC Release)

11/20 – Ash & Crayons – A documentary feature by Oscar-nominated director Evgeny Afineevsky (Winter on Fire: Ukraine’s Fight for Freedom) that follows seven Ukrainian children during the war. (In Theaters)

Nonfics is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

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01 October 2026

‘NAZA’ Wants You to Bear Witness

Written by Paul Moon

NAZA-LEAD.jpg?w=1600&h=900&crop=1

Filmmakers behind No Other Land follow up their Oscar winner with interviews of IDF soldiers. It’s already one of the most controversial films of the year

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01 October 2026

‘NAZA’ Wants You to Bear Witness

Written by Paul Moon

NAZA-LEAD.jpg?w=1600&h=900&crop=1

Filmmakers behind No Other Land follow up their Oscar winner with interviews of IDF soldiers. It’s already one of the most controversial films of the year

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01 October 2026

The Documentary Side of VIFF 2026: Some Highlights

Written by Paul Moon

The Vancouver International Film Festival (VIFF) is making some noise as this year’s edition gets ready for 11 days of screenings. The robust documentary slate includes a mix of premieres and festival favourites with many top picks from the circuit having their Canadian debuts on the West Coast. Many of the Canadian highlights from TIFF are at this year’s festival, too, including Ba’s Book; Ladies and Gentlemen, Brian Mulroney; Man in Motion: The Rick Hansen Story; Once Upon a Time in Harlem; Run Terry Run; and Still Night, Burning House. The fest also hosts recent hits like the surprisingly moving The History of Concrete, which finds poetry and humour in the most seemingly banal of subjects. You can also see more of VIFF selections in trailer posts for First Comes Love: Nakabingwit and The Sandbox.

To help readers navigate the beefy side of VIFF’s documentary programming, here are ten picks to see at this year’s festival:

 

The Story of Documentary Film – The 2000s, and the 2010s and 2020s

Screens Oct. 3, 4, and 11

Mark Cousins’ chronicle of the genesis of non-fiction cinema has been a staple on documentary slates across the festival circuit since Sunday, but it’s also been extraordinarily difficult to see and virtually impossible to watch chronologically unless one happened to tour the entire festival circuit with it. VIFF has the Canadian debut with the tail end of the series. The Story of Documentary Film charts the evolution of the art form across decades with the final instalments capturing the box office success from the era of Fahrenheit 9/11 and March of the Penguins, supposed “golden age” of documentary, and the present bleakness in which the field finds itself. It’s sure to be enlightening if one doesn’t mind starting at the end and working backwards. Read our review of part one and four/five here.

 

Into the Jaws of the Ogre

Screens Oct. 1 and 2

Every festival needs a music doc and audiences tired of the conventional greatest hits tales may find a refreshing alternative with Into the Jaws of the Ogre, which has its Canadian premiere at VIFF. Filmmaker Mahsa Karampour shares the story of her brother, who forms an underground punk band in Tehran before leaving to New York City with ambitions to break into the scene. The film uses the pursuit of a dream to explore how the siblings went down very different paths. “Quiet and confident, this portrait of siblings and their disparate life choices is engaging throughout, making for a fascinating dive into subjects not often seen on screen,” wrote Jason Gorber in our review from Cannes. “It’s a film unafraid to embrace the contradictions between the two subjects but also bold in its ability to capture the nature of change over the siblings’ multiple visits, illustrating how growth is at times tumultuous and at others, critical for survival.”

 

 

School for Defectors

Screens Oct. 4, 5, and 8

An eye-opening film that’s had surprisingly little play on the festival circuit, Jeremy Workman’s provocative documentary brings audiences inside an institution that provides cultural adjustment training for North Korean defectors as they become acclimatized to a new environment. The film’s extraordinary access and intimate observational style provides a firsthand account of the ways in which young minds unlearn years’ worth of indoctrination. The film’s Oct. 4 screening includes an extended Q&A with Workman and executive producer Daniel Dae Kim (Lost).

A Fire There

Screens Oct. 4 and 5

The picturesque countryside of Gandzani in South Georgia offers a striking backdrop for a human fable. Director Marlene Edoyan observes a community of Armenian shepherds as they brace themselves for the winds of change that ripple throughout the region. The threat of Russian invasion looms large given their proximity to the border while their neighbour wages war on Ukraine. Young shepherds become involved in the political resistance, while other community members spark resistance of their own by leaving to pursue higher education in the city. All the while, families continue a traditional practice that’s sustained them for generations. “It’s not quite docu-fiction or hybrid cinema per se, but rather an assertion of the poetic,” I wrote while reviewing the film at Hot Docs. “Observational film and intimate stories deserve to be told with such grandeur. The scope of the film affords it a great emotional window into these connected lives.”

 

The Wind’s Thirst

Screens Oct. 8 and 9

Wayuu warriors in Colombia’s La Guajira desert provide three sets of eyes through which one sees this visually arresting environmental tale. The Wind’s Thirst, which has its North American premiere at the festival, offers another perspective in the interconnected network of stories about growing water scarcity in the face of climate change and radical new forms of human industry. Director Alejandro Valbuena lets the camera witness the fight of three Wayuu elders when a local reservoir becomes diverted to assist a mine that’s polluting the region. Their efforts to protect their land and people by preserving clean water illustrates a larger force happening worldwide in which communities, often Indigenous ones, are expected to compromise the natural systems that sustain them for the benefit of outside forces with no interest in the region’s long-term health.

 

Nuisance Bear

Screens Oct. 9, 10, 11

After nearly a year of touring the festival circuit, Nuisance Bear finally strolls up north for a Canadian premiere. This absolute delight of a film—one of the year’s best—won the Grand Jury Prize for U.S. Documentary at Sundance and looks certain to add more accolades to its roster. Canadian filmmakers Gabriela Osio Vanden and Jack Weisman expand their equally terrific short and return to Churchill, Manitoba to take in the migration of polar bears from the arctic as climate changes forces a new path in their travel plans. Especially ambitious, and admirable, is the film’s effort to expand the story of displacement to the stories of Inuit and Indigenous populations, all the while balancing an offbeat tone that provides a light touch without making light of the situation. “The feature furthers many of the ideas explored in the short, but with a cinematic eye that elevates the material on every level,” I wrote in our review from Sundance. “This is a beautifully shot and artistically innovative environmental fable that masterfully connects the layers of colonial history within the contemporary climate crisis.” Read more about Nuisance Bear in our interview with the filmmakers.

 

Closure

Screens Oct. 9 and 10

This tough watch easily marks a standout film from Sundance. VIFF hosts the Canadian premiere of Michał Marczak’s portrait of Daniel, a Polish father, who devotes himself to finding his son, Krzysztof. This harrowing film observes as Daniel takes it upon himself to learn the truth following a tragic turn of events: Krzysztof is missing and was last seen alone on a bridge. His family has two options: they can assume he either ran away or jumped. A process of elimination leads Daniel to devote his days to trudging the river with hopes that any revelation, awful as it may be, can put uncertainty to bed. “Closure may ultimately be a film that saves lives through its shattering assessment of loss and mental health. It’s a reminder of the support networks that exist and of the necessity of seeking help no matter how hard it may be,” I wrote in our review at Sundance. “The losses these parents face in the aftermath of their child’s sudden exit from their lives are unbearable. But there’s admirable, overwhelming strength, too.”

 

Yo (Love Is a Rebellious Bird)

Screens Oct 9. and 10

This award winner from the Berlin Film Festival takes an artistic approach to grief as filmmaker Anna Fitch, who directed the doc with Banker White, builds a replica of her friend Yolanda’s house after her death. A puppet version stands in for Yolanda, or “Yo” to her friends, as Fitch makes sense of her loss. “The film juxtaposes vérité footage from the final year of Yo’s life with minia­tures, animation, and handcrafted interpretations of her stories. Here, artificiality gives material form to the memory of someone who cannot respond to the finished representation,” wrote Davide Abatescianni in an article for our current issue. “The distinction is ethically significant. Sandu speaks as both the child who experienced the past and the adult reshaping it. Fitch works as the survivor, using her grief to determine how Yo continues to exist onscreen. The miniature house is an act of devotion but also possession: preserving someone through cinema means selecting the version that will survive. The replica can be entered and inhabited, yet the woman whose world it reconstructs can no longer alter its arrangement.”

 

Reclaim My Skin

Screens Oct. 10

This three-part documentary series from Marie Clements screens in full at the festival among the slate of VIFF’s world premieres. Reclaim My Skin takes a cue from Clements’ breakthrough work The Road Forward by mixing musical performances within a larger story of colonization and a people’s refusal to be beaten by a system that tried to erase them. The series particularly casts its gaze towards the voices of women and Two-Spirit people, and the ways in which their experiences were particularly silenced by settler-patriarchal systems. The screening is among the hotter ticket items at the festival, but looks like one worth the standby line.

 

POV Presents: 

Ceremony

Screens Oct. 4, 6 and 10

POV is pleased to be a community partner for the VIFF screenings of Banchi Hanuse’s poetic Ceremony. This award winning film chronicles efforts in the B.C. community of Bella Coola to restore the once prosperous ooligan population. Members of the Nuxalk Nation share why the fish holds such significance to the community and tour through parts of the landscape marked by its absence. The film also draws striking parallels between the fish’s disappearance and the impact of colonialism and residential schools on the Nuxalk, with their own resilience offering hope for the ooligan’s return. “Ceremony swims ahead of the pack with its elevated eye and emotional force that comes through succinctly conveying the interconnectedness between environmental concerns and Indigenous legacy,” I wrote in our review at Hot Docs. “It’s a thoughtful character study rooted in concerns of the land and its history, driven by the voices of participants with real stakes in the rich cinematic geography it traverses.”

Do you want to attend a screening of Ceremony at VIFF? Email us at info@povmagazine.com with the subject Ceremony for your chance to win a pair to tickets!

 

The post The Documentary Side of VIFF 2026: Some Highlights appeared first on POV Magazine.

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01 October 2026

New short doc with Sigma CEO Kazuto Yamaki

Written by Paul Moon

I truly love how Sigma CEO Kazuto Yamaki is not chasing short-term gains. He has a long term vision that feels inspiring!

The post New short doc with Sigma CEO Kazuto Yamaki first appeared on sonyalpharumors.

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01 October 2026

Ring In The New Month With ‘October Country’ And 3 Other October-Themed Documentaries

Written by Paul Moon

I’ve always loved October, probably because it starts with my little brother’s birthday, ends with Halloween, and ushers in the wonderfully brisk fall air between these bookend occasions. It’s also a significant month for documentaries. Not just a good time for watching them, but a popular month to feature in titles. One of these titles is October Count…


Read more

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01 October 2026

Ring In The New Month With ‘October Country’ And 3 Other October-Themed Documentaries

Written by Paul Moon

I’ve always loved October, probably because it starts with my little brother’s birthday, ends with Halloween, and ushers in the wonderfully brisk fall air between these bookend occasions. It’s also a significant month for documentaries. Not just a good time for watching them, but a popular month to feature in titles. One of these titles is October Count…


Read more

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30 September 2026

Episode 147 | The Sound of Story: What Documentary Filmmakers Need to Hear | With James LeBrecht

Written by Paul Moon

Episode Summary

What if documentary filmmakers thought about sound with the same intention they bring to images?

We spend enormous amounts of time thinking about cameras, lenses, lighting, and composition. But sound is more than something we need to capture cleanly. It can create emotion, establish a sense of place, bring us closer to our subjects, and shape the way an audience experiences a story.

In this episode of The Documentary Life, Chris G. Parkhurst is joined by acclaimed sound designer, filmmaker, and Crip Camp co-director James LeBrecht for a conversation about the storytelling power of sound. Drawing from more than four decades working in film and theater, Jim explores how ambience, Foley, production audio, music, and even imperfection can become part of a documentary’s emotional language. He also discusses where filmmakers should draw the ethical line between enhancing sound and altering the truth of a moment.

Ultimately, this conversation is less about microphones and equipment than it is about learning to listen differently. Jim encourages documentary filmmakers to treat sound as another storytelling tool—to notice the environments surrounding their subjects, collect the sounds of the worlds they enter, and think intentionally about what an audience hears as well as what they see. Because sometimes the sound that seems imperfect, insignificant, or merely in the background is precisely what brings us closer to the story.

In This Episode

  • Why documentary filmmakers should think about sound as a storytelling tool, not simply a technical necessity
  • How ambience can establish place, create emotion, and bring an audience closer to documentary subjects
  • Using Foley and subtle sound design to shape the audience’s sense of intimacy and perspective
  • Why imperfect production sound can sometimes communicate something important about the filmmaking itself
  • What filmmakers should record on location to give themselves more possibilities in post-production
  • Where the ethical line lies between cleaning up documentary audio and altering the truth of a moment
  • Why removing every hesitation, breath, and imperfection can also remove some of the humanity
  • How listening to films—not simply watching them—can help documentary filmmakers become better storytellers

Chapters

00:00 – Why documentary filmmakers need to think about sound differently

01:01 – Cambodia, a lost boom pole, and learning to adapt

07:50 – Why what we hear matters as much as what we see

08:24 – Meet sound designer and filmmaker James LeBrecht

10:45 – Every sound has a function—and an emotion

15:22 – When sound stops being support and becomes storytelling

19:01 – Using ambience and Foley to bring us closer to our subjects

23:25 – Why audiences forgive imperfect images before bad audio

25:38 – Minding the Gap and the storytelling power of imperfection

27:46 – How ambience can carry the emotional weight of a scene

33:47 – Collaborating with filmmakers on subjective sound design

35:53 – The ethics of cleaning up and altering documentary audio

40:38 – How filmmakers can learn to listen differently

43:03 – Using surround sound to create a sense of place

44:47 – Learning from the great sound designers

47:31 – Final thoughts with James LeBrecht

Featured Guest

James LeBrecht is an award-winning filmmaker, sound designer and mixer, author, podcast host, and disability rights activist with more than 45 years of experience working in film and theater. His sound credits include acclaimed documentaries such as Minding the Gap, The Waiting Room, and The Force, and he spent a decade as resident sound designer at Berkeley Repertory Theatre.

Jim co-directed and co-produced Crip Camp with Nicole Newnham, which received the Sundance Audience Award, an Independent Spirit Award, a Peabody Award, and an Academy Award nomination. He is also a co-founder of FWD-Doc, which supports documentary filmmakers with disabilities, and the 1IN4 Coalition, focused on disability inclusion and accessibility in film and television.

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Watch the full conversation here:

https://www.youtube.com/watch?v=d4XwqGp0RyQ

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Quotes from the Episode

“Every sound has a function and every sound has an emotion.” — James LeBrecht

“You can build an ambience of that location and slowly start peeling away elements that you’ve added.” — James LeBrecht

“I want your film to be as effortless to listen to as possible.” — James LeBrecht

“Sometimes these imperfections are important.” — James LeBrecht

“You never want to lose the human touch.” — James LeBrecht

“You just have to look at sound as just another tool in your storytelling.” — James LeBrecht

“Listen carefully, because what we hear is every bit as much a part of the story as what we see.” — Chris G. Parkhurst

About The Documentary Life

The Documentary Life is a podcast exploring the craft, business, and lived experience of documentary filmmaking. Through conversations with filmmakers from around the world, host Chris G. Parkhurst explores not only how documentaries are made, but what it means to build a meaningful, sustainable creative life.

And Lastly…

Stories matter. Listening matters. Human connection matters.

Thanks for spending part of your documentary life with us.

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