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Home  /  Uncategorized  /  Tool Time [Penny Lane version]
10 May 2026

Tool Time [Penny Lane version]

Written by Paul Moon
Uncategorized Comments are off

Last week, I wrote something that felt vaguely illegal to admit in public as a documentary filmmaker: I’m not especially interested in The Camera.

Not because it is unimportant!!! The camera is, obviously, a pretty major part of Making Documentaries. It’s just not a tool I personally reach for as I practice my craft.

This got me thinking: what are my tools?
(Ok, besides the really obvious ones, like the laptop I am typing on right now.)

Welcome to Tool Time [Penny Lane version]!

ReMarkable

What it is: A digital notebook.

Why it’s awesome: Imagine a notebook so big it can contain all your other notebooks inside of it, but approximately the size of an iPad. I’ve had my ReMarkable since 2019 (!), I use it literally every day (!!), and I still have not reached 50% of the storage capacity (!!!).

As a devoted Notebook Person, it matters to me that it really does feel like pen on paper. It has a very satisfying little bit of grit, resistance and scratchy sound. The haptics are on point!

My ReMarkable 2 is grayscale only — there’s a color version, which I tried before immediately switching back — it doesn’t light up or make any sound, and it doesn’t go on the internet. I can read PDFs on it and mark them up. I can search the handwritten text, and I can convert any handwritten text to digital text. (Bonus: this encourages good penmanship, so that the search/convert function actually works.) It also syncs to the cloud, so I can access all my notebooks from my phone or laptop.

I do love paper notebooks and feel nostalgic for the past, when my best option was many different paper notebooks. I especially miss the physicality of these objects, stacked on the shelf after they’ve been used. However, I often found I had the wrong notebook on hand at any given moment, I was always losing them, and finally: discovering the ability to search all my notebooks at any time was a possibility… that proved just too much to resist.

Why I use it for:
(1) Every day, I journal. That’s one of my notebooks.
(2) With a template, one of my notebooks is my day planner.
(3) Each project has a notebook.
(4) Shopping lists, meeting notes, interview questions, doodles, mind maps, storyboards… anything you would use a notebook for.

Canva

What it is: A web-based graphic design platform.

Why it’s awesome: The great thing about Canva is it’s powered by drag-and-drop templates and incredibly intuitive to figure out (unlike something more geared toward professionals, like Photoshop). For those of us who need to constantly create images for all kinds of reasons, but who are neither great draughtspeople nor pro graphic designers, it is incredibly easy to search for a template for what you’re making, and then intuitively customize it.

The very first thing I ever made in Canva was an “About Me” graphic for Instagram. I searched “about me IG post” in the templates, selected one that had a nice layout and some graphic elements I liked, and really in no time at all made something that felt like me, was cute, and good enough for my purposes.

I used to use a combination of Google Slides and Photoshop for these tasks, and it took me forever to make stuff that didn’t even look good in the end. I was immediately hooked on Canva!!! I started making all kinds of social content, like the email header in this very newsletter.

But when I realized I could make slide shows and decks… that’s when it really became part of my daily life. I need to communicate visually, and frequently. I need this to be easy.

I am only 50% kidding when I say I really believe my Canva skills — which aren’t even that good yet — got me more than one job this year.

Why I use it for:
(1) Pitch decks, slideshows, visual presentations of all kinds
(2) Social media images
(3) Garden design — yes, I now have a 38-page presentation of my garden beds as seen in all 4 seasons, including this psychotic bloom sequence chart:

Trello

What it is: A task-management platform.

Why it’s awesome: Trello is like a sophisticated to-do list and resource library, but optimized for teams. (There are a bunch of other platforms like this, i.e., Asana and Monday. I haven’t tried any of them, I’m sure they do similar things.) The basic organizing unit of Trello is the board.

Current Spinning Nancy boards I am on.

Each board contains tasks, which are assigned to specific people, and given due dates.

An example of what a project board looks like.

Filmmaking is a massively collaborative enterprise. I need a way to systematically organize team projects. We need to communicate asynchronously and constantly, but without 10,000 pings constantly destroying everyone’s fragile focus. (A simpler way to explain the purpose of Trello is that I am trying to prevent my email inbox from ruling my entire life.)

Trello allowed us to create one place we can all go to find out what is happening, when, and who is responsible for making sure it happens. It’s also a place to build a library of where all our shared resources are. Where is that shoot plan? Where is the latest budget? Where is that folder with the reference pics? Where are Penny’s shot lists? The answer is on Trello! (For any fellow past or present professors out there: this is said in the same tone as, “The answer is on the syllabus.”)

Committing to this type of system becomes really extra important on long term projects with stop-and-start schedules (leading to collective amnesia about where we all left off last time we had any funding to work on this project) and/or with collaborators coming and going over the lifetime of the project.

Why I use it for:
(1) To do lists.
(2) Meeting agendas. Instead of emailing my collaborators every stray thought at every random hour, I can make a note to discuss at our next scheduled meeting! Fewer convoluted email chains please!!!
(3) Resource libraries.


What are your favorite non-obvious tools of the trade?

Paul Moon
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H. Paul Moon is a filmmaker based in New York City and Washington, D.C. whose works concentrate on the performing arts. Major films include “Sitka: A Piano Documentary” about the craftsmanship of Steinway pianos, “Quartet for the End of Time” about Olivier Messiaen’s transcendent WWII composition, and an acclaimed feature film about the life and music of American composer Samuel Barber that premiered on PBS. Moon has created music videos for numerous composers including Moondog, Susan Botti and Angélica Negrón, and three opera films set in a community garden. His film “The Passion of Scrooge” was awarded “Critic's Choice” by Opera News as a “thoroughly enjoyable film version, insightfully conceived and directed” with “first-rate and remarkably illustrative storytelling.” Further highlights include works featured in exhibitions at the Nevada Museum of Art and the City Museum of New York, PBS television broadcasts, and best of show awards in over a dozen international film festivals.

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