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Author Description

Paul Moon
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H. Paul Moon is a filmmaker based in New York City and Washington, D.C. whose works concentrate on the performing arts. Major films include “Sitka: A Piano Documentary” about the craftsmanship of Steinway pianos, “Quartet for the End of Time” about Olivier Messiaen’s transcendent WWII composition, and an acclaimed feature film about the life and music of American composer Samuel Barber that premiered on PBS. Moon has created music videos for numerous composers including Moondog, Susan Botti and Angélica Negrón, and three opera films set in a community garden. His film “The Passion of Scrooge” was awarded “Critic's Choice” by Opera News as a “thoroughly enjoyable film version, insightfully conceived and directed” with “first-rate and remarkably illustrative storytelling.” Further highlights include works featured in exhibitions at the Nevada Museum of Art and the City Museum of New York, PBS television broadcasts, and best of show awards in over a dozen international film festivals.

19 August 2025

Film Friday: Documentary unpacks the complex history of Edwin Land and Polaroid

Written by Paul Moon

Last week, we shared that a company is creating a new folding instant camera inspired by the iconic Polaroid SX-70. It’s quite nice timing, then, that shortly after we saw that news, we stumbled on Mr. Polaroid, a Public Broadcasting Service (PBS) documentary about Polaroid and its creator, Edwin Land.

The documentary provides a fascinating look into Land’s background, the history of Polaroid and the cultural importance of instant photography. It touches on how Land enrolled in Harvard at 17 but dropped out after only one semester. He moved to New York City in 1927, and soon after, developed polarizing filters intended to reduce headlight glare – though they were never used for that purpose.

Those polarizing filters were of significant importance to the military during WWII, which led to success for Polaroid. But Land knew he would need something new when the war effort was over. Photography became his new focus, and he dreamed of a camera that could give people a printed photograph on the spot, instantly. So, in 1943, he launched a secret project nicknamed SX-70. However, it wasn’t until 1969 that the prototype of what we now know as the SX-70 was created because of the project’s complexity.

a man in a suit-stands in front of three people with cameras and a curtain

Edwin H. Land, founder, Polaroid Corp.

Photo: Library of Congress, Prints & Photographs Division, photograph by Bernard Gotfryd, [Reproduction number e.g., LC-USZ62-12345]

The documentary takes us through the company’s history, including the public reveal of the first instant photograph (taken with an 8×10 view camera) and the camera models that came with further development. It was interesting to learn a little about Meroë Morse, a pioneering chemist at Polaroid, and how Polaroid was hiring women at a time when there weren’t many jobs available for women. It was also fascinating to learn that Land was closely involved with the CIA and the US military during the Cold War.

There’s a lot of information packed into the hour-long documentary, including where the Polaroid shake came from and some of the science behind instant photography. It doesn’t shy away from some of the controversy surrounding Land and Polaroid, either. It’s well worth a watch for instant photography fans and history buffs alike.

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19 August 2025

Why ‘Sly Lives!’ Is a Documentary by Artists for Artists — and for Everyone

Written by Paul Moon

MCDSLLI_HY004.jpg?w=650

Director Questlove and producer Joseph Patel tell IndieWire about creating a balance between music nerdom and the life of Sly Stone in their documentary.

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18 August 2025

Disney Ditches Spike Lee’s Colin Kaepernick Docuseries

Written by Paul Moon

It takes a lot to keep Spike Lee quiet.

The Oscar winner’s hot takes are legendary, and he weighs in on everything from black cinema to the current White House occupant.

Yet he can’t spare a syllable about his just-canceled Colin Kaepernick docuseries? Did the cat get his tongue?

No. The NDA did.

ESPN will ‘no longer proceed’ with Spike Lee’s Colin Kaepernick docuseries: ‘It’s not coming out’ https://t.co/IAIGjeR2q3 pic.twitter.com/XCtI7QePJW

— New York Post (@nypost) August 16, 2025

Lee offered an extended “no comment” on the red carpet over the weekend as news of his Kaepernick series’ demise hit the Internet. He cited a non-disclosure agreement for his silence.

Disney ordered the docuseries from the auteur, but that was before the public pumped the brakes on the woke revolution. Now, the Mouse House has little appetite for a close-up on the Left’s favorite former athlete.

We’ve seen a crush of signs, both large and small, that Hollywood is finally listening to the public when it comes to woke overreach.

Long story short? No thanks, we collectively said.

It’s why Disney nixed a trans storyline in its Disney+ series “Win or Lose.” It explains the pro-Life and pro-Heartland messaging in “The Fantastic Four: First Steps” and “Superman,” respectively. 

Had Sydney Sweeney boasted about her good genes in a jeans ad two years ago, she would have been forced into making a “hostage”-style apology, complete with a vow to be an “ally” moving forward.

Instead, Sweeney ignored the far-Left caterwauling and kept cashing those American Eagle checks.

Now, one of Hollywood’s most outspoken progressives has been silenced on two fronts. He can’t share the behind-the-scenes drama behind the show’s cancellation. And it appears he won’t be able to shop the series to a competing network.

Reports say the project is dead.

RELATED: SPIKE LEE: TRUMP IS SILENCING HIS CRITICS!

Lee, a far-Left provocateur on matters of race, likely aimed to push Kaepernick as a victim of racial injustice. It’s safe to say that Disney, watching the woke bubble burst in real time, knew that would be a tough sell in 2025 America.

Is there another explanation?

Lee suffered another public relations blow this week.

His new film “Highest 2 Lowest” received a modest theatrical rollout, a far cry from what a director of his stature typically receives. A24, which produced the film along with Apple, didn’t provide box office numbers for its opening weekend.

That’s another bad sign.

The far-Left Hollywood Reporter says indications are the film enjoyed a “tepid” reception at the box office despite Lee teaming with Denzel Washington for the fifth time.

The post Disney Ditches Spike Lee’s Colin Kaepernick Docuseries appeared first on Hollywood in Toto.

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18 August 2025

October 7 Doc ‘The Road Between Us’ Will Screen Only Once at TIFF, Press Shut Out

Written by Paul Moon

Toronto is heading into September with plenty of momentum, but it didn’t take long for the festival’s first controversy to emerge.

Barry Avrich’s latest documentary, tackling Israel’s October 7, “The Road Between Us: The Ultimate Rescue,” was briefly pulled from the TIFF lineup last week before being reinstated after pushback from several advocacy groups.

The compromise, it seems, will be that the film will have just a single screening, with no press or industry access.

Avrich, of course, is no stranger to TIFF. He’s practically the festival’s unofficial house documentarian, chronicling Canadian cultural figures and institutions for decades. This time, though, he’s landed on combustible material.

The film follows retired IDF General Naom Tibon, who on October 7, 2023, rushed to save his son’s family, including two granddaughters, as they were surrounded by Hamas terrorists. On the way, he also rescued survivors of the Nova music festival and helped the wounded.

At first, TIFF CEO Cameron Bailey attributed the film’s rejection to “footage rights issues,” firmly denying censorship. But when organizations such as the Auschwitz Jewish Center Foundation and Creative Community for Peace accused the festival of silencing a story about Israeli victims, TIFF quickly reversed course. Bailey and Avrich issued a joint statement announcing that the film would indeed play.

Still, the festival’s solution — a single Monday showing, closed off from press and distributors. Toronto has been burned before by the Middle East conflict (remember 2009, when the “Tel Aviv Spotlight” provoked boycotts and outrage?). This year, with war in Gaza dominating headlines, TIFF seems wary of a repeat.

One suspects the limited slot will only add to the intrigue. Security will be tight, demand enormous, protests outside the theatre and discussion fierce. For Avrich, controversy may be the best possible launchpad. For TIFF, it’s another reminder that programming Israeli stories has become kryptonite.

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18 August 2025

The Netflix Documentary ‘Songs From the Hole’ Will Make You Rethink Our Prison System

Written by Paul Moon

Director Contessa Gayles’ award-winning film offers a firsthand account of the power of restorative justice

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18 August 2025

The Netflix Documentary ‘Songs From the Hole’ Will Make You Rethink Our Prison System

Written by Paul Moon

Director Contessa Gayles’ award-winning film offers a firsthand account of the power of restorative justice

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18 August 2025

Grasshopper Film Acquires Non-Theatrical and Digital Rights to Birth Tourism Doc How to Have an American Baby

Written by Paul Moon

A baby lies in a cradle in a hospital room.Grasshopper Film has acquired North American digital and non-theatrical rights to How to Have an American Baby, directed by Chinese-American filmmaker Leslie Tai, the company said in a press release. The company will release the film tomorrow, August 19, on digital platforms. From the press release: A decade in the making, the film is a haunting and intimate portrait of the shadow economy of Chinese birth tourism in the United States. With rare access and remarkable empathy, How to Have an American Baby takes viewers inside a hidden network of maternity hotels, expectant mothers, brokers, and medical providers operating at […]

Source

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17 August 2025

Spike Lee’s Colin Kaepernick Doc Shelved by ESPN Over “Creative Differences’”

Written by Paul Moon

Spike Lee and ESPN began collaborating on a documentary series about Colin Kaepernick in early 2022. The project was part of Kaepernick’s first-look deal with Disney. The documentary series was titled “Da Saga of Colin Kaepernick.”

However, the series, which was completed by Lee in late 2023, still hasn’t seen the light of day, and now we know why.

Here’s an exclusive report from Reuters stating that the project will never be released and has been canceled due to “creative differences” among Lee, Kaepernick, and ESPN.

Lee confirmed the cancellation, stating, “It’s not coming out. That’s all I can say,” and declined to provide further details because “I signed a nondisclosure. I can’t talk about it.”

Kaepernick was a former NFL quarterback who played six seasons for the San Francisco 49ers before he began kneeling during the National Anthem in protest of police brutality toward Black people. His protests drew both champions and criticism, but started a domino effect with other athletes in the league, who also began taking a knee during the playing of “The Star-Spangled Banner.”

Kaepernick left the 49ers in 2016 and has been unsigned ever since. Many are saying no team has vowed to sign him because of the toxicity surrounding him, whereas others, especially in the media, have said it is nothing more than a blatant case of racism to not have a man of his talents signed.

Having Lee and Kaepernick sign nondisclosure agreements means we might never know the true reason why the doc was shelved by ESPN—or, in the best-case scenario, we may eventually have sources close to the production leak the information. Regardless, this one’s officially DOA.

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16 August 2025

‘My Undesirable Friends’ Isn’t Just a Documentary. It’s a Warning

Written by Paul Moon

Julia Loktev’s long, hard look at Russia’s suppression of free speech is a chilling portrait of how authoritarianism works. It looks eerily familiar right now

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16 August 2025

‘My Undesirable Friends’ Isn’t Just a Documentary. It’s a Warning

Written by Paul Moon

Julia Loktev’s long, hard look at Russia’s suppression of free speech is a chilling portrait of how authoritarianism works. It looks eerily familiar right now

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