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Author Description

Paul Moon
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H. Paul Moon is a filmmaker based in New York City and Washington, D.C. whose works concentrate on the performing arts. Major films include “Sitka: A Piano Documentary” about the craftsmanship of Steinway pianos, “Quartet for the End of Time” about Olivier Messiaen’s transcendent WWII composition, and an acclaimed feature film about the life and music of American composer Samuel Barber that premiered on PBS. Moon has created music videos for numerous composers including Moondog, Susan Botti and Angélica Negrón, and three opera films set in a community garden. His film “The Passion of Scrooge” was awarded “Critic's Choice” by Opera News as a “thoroughly enjoyable film version, insightfully conceived and directed” with “first-rate and remarkably illustrative storytelling.” Further highlights include works featured in exhibitions at the Nevada Museum of Art and the City Museum of New York, PBS television broadcasts, and best of show awards in over a dozen international film festivals.

26 August 2025

How Natasha Rothwell’s Life Brought Her to “The White Lotus”

Written by Paul Moon

Actress Natasha Rothwell returns as Belinda in The White Lotus Season 3, a role that’s earned her two Emmy nominations and cemented her status as the show’s moral center. 

In this episode, Rothwell shares how she connects to Belinda’s journey of self-discovery and how she collaborated with creator Mike White to bring greater nuance to the character. She reflects on the importance of diverse storytelling in Hollywood, the inspiration she drew from actress Nell Carter, and why she believes the arts are an empathy machine. Rothwell also opens up about her experience as a neurodivergent creator, the power of destigmatizing diagnoses, and the untapped potential of art. As she puts it, “From water lilies to Lily Tomlin, it’s all awesome.”

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22 August 2025

How The Editors Behind Emmy-Nominated Chimp Crazy Used Frame.io for HBO’s Wildest Doc

Written by Paul Moon

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From over 1,500 hours of footage to two Emmy nominations—here’s how the team behind Chimp Crazy used Frame.io to stay on track and in sync to create HBO’s most-watched documentary…

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21 August 2025

New Doc on ‘To Catch a Predator’ Will Examine ‘Hunter, Predator, Subject and Spectator’

Written by Paul Moon

“Predators became a sort of true crime story. But the villain wasn’t who I thought it’d be,” said director David Osit

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21 August 2025

New Doc on ‘To Catch a Predator’ Will Examine ‘Hunter, Predator, Subject and Spectator’

Written by Paul Moon

“Predators became a sort of true crime story. But the villain wasn’t who I thought it’d be,” said director David Osit

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21 August 2025

This Week In Documentary

Written by Paul Moon

Last year at this time, I spotlighted the documentaries of Robert Greenwald. It was his birthday, and it was also a big moment for political films, being a U.S. presidential election year. He had just released a new short film. He would go on to release three more, specifically focused on Donald Trump, ahead of the election. Now he’s turning 80 and deserving of more lifetime achievement recognition. I haven’t seen his latest documentary, Gaza: Journalists Under Fire, but it seems pretty timely after this month’s airstrike deaths of Al Jazeera correspondents Anas al-Sharif, Mohammed Qreiqeh, Ibrahim Zaher, and Mohammed Noufal.

Without further ado, below are this week’s documentary highlights, including capsule reviews of new nonfiction films and series. They are followed by daily listings for all notable releases and a brief look at what’s coming soon for doc fans (including the latest from Raoul Peck). Please consider becoming a paid subscriber to receive more in-depth highlights and reviews in the future, and to give me more time to watch more (if not everything) available.

Nonfics Picks Of The Week: When The Levees Broke: A Requiem In Four Acts (2006), If God Is Willing And Da Creek Don’t Rise (2010), & Katrina: Come Hell And High Water (2025)

Dueling with National Geographic’s Hurricane Katrina: Race Against Time, Netflix’s Katrina: Come Hell and High Water is another docuseries looking back at the titular disaster for its 20th anniversary this summer. The big sell here is perhaps that Spike Lee is one of the directors, alongside Geeta Gandbhir and Samantha M. Knowles (both of whom directed parts of this year’s Eyes on the Prize III). In 2006, Lee helmed the acclaimed Katrina documentary When the Levees Broke: A Requiem in Four Acts, which he followed up in 2010 with If God Is Willing and da Creek Don’t Rise. I’m surprised he and the streaming service aren’t making a bigger deal out of this one, but he’s also busy promoting his film Highest 2 Lowest this month. I will have more to say about it when the review embargo lifts on August 25, so come back to see my thoughts then.

When the Levees Broke: A Requiem in Four Acts and If God Is Willing and da Creek Don’t Rise are both available to stream on HBO Max.

Katrina: Come Hell and High Water begins streaming in full on Netflix on August 27.


Other Documentary Highlights

James Webb in James Can Eat

James Can Eat (2025)

Ever since the one time I attended the Nathan’s Hot Dog Eating Contest (I’m too old now to recall if it was in 2006 or 2007), I’ve been fascinated by the world of competitive eating. I hadn’t seen a memorable or at least a uniquely different documentary about any competitor or any side of this world, however, since Crazy Legs Conti: Zen and the Art of Competitive Eating, which came out 20 years ago. James Can Eat, which is focused on James Webb, finally offers some aspects I haven’t seen or heard much about, including the offshoot idea of doing solo eating challenges for online video channels and social media.

Webb, who is relatively new to the sport compared to guys like Crazy Legs Conti and regular Nathan’s champ Joey Chestnut, also has a compelling backstory. James Can Eat also looks more into the debates on whether competitive eating is a sport and whether it’s as unhealthy as it seems. His wife’s complicated acceptance of Webb’s chosen career is interesting, as are the addresses of various controversies concerning him, other eaters, and the circuit overall. My only complaint about the film, which I’d otherwise recommend to anyone curious about this world, is that it occasionally gets sidetracked, most notably when it interviews a guy who made a scene at one of the Nathan’s events to protest the treatment of animals by the meat industry. Sometimes it seemed the filmmakers wanted it to be a documentary about competitive eating in general when it should have been more focused on just Webb’s place in that world.

James Can Eat will be released on VOD on Friday, August 22.

A New Kind Of Wilderness (2024)

I finally caught up with A New Kind of Wilderness, which won the Grand Jury Prize for the World Cinema – Documentary program at the 2024 Sundance Film Festival, but I’m not sure I can rightly say that I’ve watched it as truly intended. For its PBS broadcast, via POV, the documentary has been abridged from feature-length to 56 minutes. That’s plenty of time for me to appreciate the film’s story of a family in Norway whose lives are drastically changed after the death of their wife and mother, and the beautiful way it’s shot, but I kept wondering what was cut out for this version.

There was a time when I wouldn’t tolerate shorter cuts of films for their PBS broadcast, and I used to associate and criticize it more with Independent Lens airings. Now I just wish that there was more (or any) transparency regarding the edits. We know we’re getting extended cuts of movies because they’re labeled as such. Same with director’s cuts and other variations. Why not a label for abridged documentaries? How can I properly review A New Kind of Wilderness and, say, log it on Rotten Tomatoes and Letterboxd when it’s not the same film that critics saw at Sundance and other festivals or for its theatrical release? I’d rather be able to be clear in what I watched and am critiquing. It pains me to complain when I want to support PBS and its shows more than ever right now, but it needs to be addressed.

A New Kind of Wilderness (Abridged) makes its broadcast debut on PBS as an episode of POV and begins streaming on PBS Passport on Monday, August 25.

Pavements (2024)

I thought about making Pavements the Pick of the Week again, for a third time, but it’s only been a little over a month since the last time (and I’m mostly just copying and pasting that write-up this time anyway). Regardless, Pavements is a must-see, in case you haven’t seen its placement on my list of the best documentaries of 2025 so far. And you don’t have to be a fan of its subject to enjoy it. The experimental hybrid film, directed by Alex Ross Perry and produced and edited by Robert Greene, “provides a sense of Pavement more comprehensive (but also more artificial) than a typical talking-head-filled rock documentary would,” I wrote back in May. “It’s the sort of music film that satisfies the film audience even if they don’t care for the music, and vice versa.”

Pavements will be released on Blu-ray on Tuesday, August 26.

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Documentary Release Calendar 8/22/25 – 8/28/25

Fred Hechinger, Joe Keery, and Jason Schwartzman in Pavements

Friday, August 22, 2025

Diamond Demon (1947) – A short documentary showcasing the talents of baseball pitcher Johnny Price. (TCM)

Hope in High Water: A People’s Recovery Twenty Years After Hurricane Katrina (2025) – A documentary feature looking back at Hurricane Katrina, focused on people who never left New Orleans. (Peacock)

James Can Eat (2025) – A documentary feature about Australian competitive eater James Webb. (VOD)

One Got Fat (1963) – A short instructional film about bicycle safety. (TCM)

The Truth About Jussie Smollett? (2025) – A documentary feature about actor Jussie Smollett and his scandal involving a hate crime hoax. (Netflix)

Saturday, August 23, 2025

Buried in the Backyard Season 6, Episode 7: “Portrait of a Tragedy” – The latest installment of a true-crime docuseries about the odd locations where murder victims were found. This episode involves a young artist whose body was found in a suitcase. (Oxygen True Crime)

Naming the Dead Season 1, Episode 4: “The Body on the Train” – The latest installment of a docuseries about bodies being identified through genealogical investigations. (National Geographic)

Sunday, August 24, 2025

Girl Climber (2025) – A documentary following Emily Harrington as she climbs Yosemite’s El Capitan. (In IMAX Theaters)

How to Sleep (1935) – An Oscar-winning comedic educational short starring and narrated by Robert Benchley based on a recent sleep study. (TCM)

The Last Rhinos: A New Hope (2025) – A nature documentary focused on the endangered northern white rhinoceros. (National Geographic)

Looking at London (1946) – A short documentary installment of James A. FitzPatrick’s TravelTalks travelogue franchise that explores London post-World War II. (TCM)

Naming the Dead Season 1, Episode 4: “The Body on the Train” – The latest installment of a docuseries about bodies being identified through genealogical investigations. (Hulu and Disney+)

Naomi Osaka: The Second Set (2025) – A documentary feature about the titular tennis pro following the birth of her daughter. (Tubi)

New Orleans: Soul of a City Episode 1: “Rebirth of the Superdome” – The first episode of a four-part docuseries about the titular city. (CNN)

The Yogurt Shop Murders Episode 4: “In Your Time” – The final installment of a four-part true-crime docuseries by Margaret Brown (Descendant) about the killing of four teenagers in 1991. (HBO and HBO Max)

Monday, August 25, 2025

Born to Fight (1956) – A short documentary showcasing bullfighting in Portugal. (TCM)

Decade for Decision (1957) – A short documentary about the threat of the Soviet launch of the first satellite, Sputnik. (TCM)

The Last Rhinos: A New Hope (2025) – A nature documentary focused on the endangered northern white rhinoceros. (Hulu and Disney+)

A New Kind of Wilderness (2024) – A documentary feature about a family attempting to live a free life in the Norwegian wilderness. (PBS and PBS Passport)

The Relaxed Wife (1957) – A short industrial film intended to help working men and their wives. (TCM)

Survival Mode Season 1, Episode 8: “Superstorm Sandy” – The latest installment of this docuseries focuses on Hurricane Sandy. (NBC)

Tuesday, August 26, 2025

The Britto Doc (2025) – A biographical documentary about artist Romero Britto. (VOD)

The Ghost of Peter Sellers (2018) – A biographical documentary about the titular actor. (Blu-ray)

Good Eating Habits (1951) – A short educational film that teaches children proper eating habits and manners. (TCM)

The Gospel of Revolution (2024) – A documentary feature about Latin America’s Liberation Theology religious movement. (Apple TV)

Hard Knocks: Training Camp with the Buffalo Bills Episode 4 – The latest installment of the Hard Knocks franchise goes behind the scenes with the titular NFL football team. (HBO and HBO Max)

Jethro Tull: Their Fully Authorized Story (2008) – A documentary about the titular rock band. (DVD)

Lynden (2024) – A documentary feature about a teenage girl leading a racial justice march in her conservative town. (DVD and Blu-ray)

Pavements (2024) – A hybrid feature about the rock band Pavement. (Blu-ray)

Route One USA (1989) – A four-hour road trip documentary following Route 1 from Canada to the southern tip of Florida. (DVD and Blu-ray)

Ruby Red Handed: Stealing America’s Most Famous Pair of Shoes (2025) – A docuseries about the theft of a pair of ruby slippers from The Wizard of Oz. (Hulu)

Sharksploitation (2023) – A documentary feature about the cinematic legacy of sharks. (Blu-ray)

The Ship That Died (1938) – A short documentary about a mysteriously abandoned ship. (TCM)

Stans (2025) – A documentary produced by Eminem about superfandom. (Paramount+)

Steve McQueen: Desert Racer (2015) – A sports documentary about actor Steve McQueen’s past time riding motorcycles in the desert. (DVD)

Wednesday, August 27, 2025

6 Days (2025) – A road trip documentary starring the band Day6. (In Theaters)

Billy Rose’s Casa Mañana Revue (1938) – A short film showcasing the titular musical revue. (TCM)

Katrina: Come Hell and High Water (2025) – A docuseries directed by Spike Lee, Geeta Gandbhir, and Samantha M. Knowles about Hurricane Katrina. (Netflix)

Liberation: D-Day to Berlin (2025) – A docuseries about the liberation of Western Europe during World War II. (Paramount+)

Shipwreck Hunters Australia Season 2 – A docuseries about divers who explore shipwrecks. (Disney+)

To Catch a Smuggler Season 9, Episode 7: “Supercharged Botox and Blow” – The latest installment of a docuseries following U.S. Customs and Border Protection agents. This episode involves the smuggling of cocaine and marijuana. (National Geographic)

Thursday, August 28, 2025

Chloe Ayling: My Unbelievable Kidnapping (2025) – A documentary about the abduction of British glamour model Chloe Ayling. (AMC+)

Dear Viv (2025) – A biographical documentary about the drag queen known as The Vivienne. (WOW Presents Plus)

Lost Treasures of Arabia: Ancient City of Dadan – A documentary about a Saudi Arabian city that existed more than 2,000 years ago. (National Geographic)

M-G-M Jubilee Overture (1954) – A short music film celebrating MGM’s 30th anniversary and showcasing performances by The M-G-M Symphony Orchestra. (TCM)

Millionaire (2025) – A documentary feature about a Chilean man who won the lottery but had a contested ticket. (Netflix)

That’s Entertainment! (1974) – A feature documentary showcasing moments from classic MGM musicals. (TCM)

True Crime Story: Smugshot Season 2, Episode 3: “The Getaway” – The latest installment of a docuseries about disturbing cases where people thought they could get away with crimes. (Sundance TV)

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Sneak Peek At What’s Coming Soon

9/1 – Make a Circle – A documentary about child care providers. (PBS)

9/4 – Blood & Myth – A true-crime documentary about an Alaskan criminal who claimed to be influenced by mythical creatures. (Hulu)

9/5 – Torn: The Israel-Palestine Poster War on NYC Streets – A documentary feature about a clash between pro-Israel activists and pro-Palestine activists involving posters around New York City. Watch the new trailer for the film below. (In Theaters)

9/9 – Becoming Thurgood: America’s Social Architect – A documentary about Thurgood Marshall. (PBS)

9/19 – Predators – A documentary about the TV series To Catch a Predator. Read our review of Predators from the 2025 Sundance Film Festival. Watch the new trailer for the film below. (In Theaters)

9/21 – Andrea Bocelli: Because I Believe – A documentary feature showcasing the titular Italian tenor on and off stage. (In Theaters)

9/30 – Prime Minister – A documentary about the former New Zealand prime minister Jacinda Ardern. Read our review of Prime Minister from Sundance. (HBO Max)

10/3 – Orwell: 2 + 2 = 5 – A documentary feature by Oscar-nominated filmmaker Raoul Peck (I Am Not Your Negro) about George Orwell. Watch the new trailer for the film below. (In Theaters)

10/10 – There Was, There Was Not – A documentary feature following four Armenian women during the surprise invasion of Artsakh. (In Theaters)

10/17 – The Man Who Saves the World? – A documentary feature by Gabe Polsky (Red Army) about a man who believes he has a calling to unite Amazonian tribes to save the rainforest. (In Theaters)

11/21 – Zodiac Killer Project – A meta-textual true-crime documentary about an abandoned documentary on the Zodiac Killer. Read our review of Zodiac Killer Project. (In Theaters)

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21 August 2025

Rushes | WGA Expels Park, TIFF Readmits Doc, Criticism under Fire

Written by Paul Moon
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.
NEWS
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Citizen Kane (Orson Welles, 1941).
  • Park Chan-wook and Don McKellar have been expelled from the Writers Guild of America for allegedly working on The Sympathizer (2024) during the 2023 strike. The HBO miniseries was in postproduction when the strike began, and Park and McKellar were reportedly brainstorming responses to studio notes, a task they believed did not constitute “writing services,” a term whose limits have been in dispute for decades. “I have never violated any rules,” Park insisted in a statement and said that he considered appealing the judgment but wanted to focus on his new feature, No Other Choice.
  • Last week, the Toronto International Film Festival rescinded an invitation for the documentary The Road Between Us: The Ultimate Rescue (2025), apparently for failing to legally clear footage. After some cried censorship, he festival has now readmitted the film, which focuses on retired Israeli general Noam Tibon’s rescue of his two granddaughters from the Nova music festival on October 7, 2023. TIFF CEO Cameron Bailey and the film’s director, Barry Avrich, wrote in a joint statement that they “believe [the selection] will contribute to the vital conversations that film is meant to inspire.”
  • Vanity Fair “will be moving away from news aggregation, reviews, and trade coverage,” according to a leaked memo from new editorial director Mark Guiducci, who has dismissed chief critic Richard Lawson and Hollywood correspondents David Canfield and Anthony Breznican.
  • The Chicago Tribune has eliminated the post of film critic, leading Michael Phillips, who had filled that position for twenty years, to take a buyout after penning his final column, and leaving the city of Chicago with no salaried film writer at either of its daily papers.
DEVELOPING
  • Dan Sallitt is set to direct What Can’t Be Mentioned, a sequel to The Unspeakable Act (2012), this October. Tallie Medel and Sky Hirschkron will reprise their roles as siblings Jackie and Matthew Kimball, and Kyle McCormack and Kit Zauhar will play their respective partners.
  • Paweł Pawlikowski has begun filming 1949, his follow-up to Cold War (2018). The film stars Hanns Zischler and Sandra Hüller as Thomas Mann and his daughter Erika on a road trip across a divided Germany.
REMEMBERING
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Teorema (Pier Paolo Pasolini, 1968).
  • Terence Stamp has died at 87. The son of a tugboat stoker, the British actor worked in a number of advertising agencies and as an assistant pro at an East London golf club before earning a scholarship to train at the Webber Douglas Academy of Dramatic Art. He made his film debut opposite Laurence Olivier in Term of Trial, but garnered notoriety playing the title character in Peter Ustinov’s adaptation of Billy Budd (both 1962). Associated with the Swinging London scene, Stamp received the most acclaim in his career for a series of performances from that decade in films such as John Schlesinger’s Far from the Madding Crowd (1967); Ken Loach’s first feature, Poor Cow (1967); and Pier Paolo Pasolini’s Teorema (1968). He had stepped back from acting by the end of the 1960s and moved to an ashram in India, but returned with his most high-profile role as General Zod in Superman (1978) and Superman II (1980). Stamp was acclaimed for his leading performance in Steven Soderbergh’s The Limey (1999) as a career criminal investigating his daughter’s death in sunny Los Angeles. “The closer the camera moved, the more hypnotic his presence became,” remembers Edgar Wright, who directed Stamp’s final performance in Last Night in Soho (2021). “In close-up, his unblinking gaze locked in so powerfully that the effect was extraordinary. Terence was a true movie star: the camera loved him, and he loved it right back.”
RECOMMENDED READING
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Americana (Tony Tost, 2023).
  • “As Hollywood executives continue to churn out bad films that lose money—box-office receipts are still well below pre-pandemic levels—Il Cinema Ritrovato has proved that certain audiences will not just pay to see good movies but travel thousands of miles for the privilege.” For Air Mail, Will Tavlin explores how Bologna’s festival of restorations and revivals has exploded in popularity while remaining a relatively niche affair.
  • “I’m just trying to rapidly live in reverse to hold on to any shred of the Olden Times that’s left. This is called denial and nostalgia—wish me luck. I’m only half kidding. The irony is that the best part of life is the constant forward momentum. It only moves in one direction, so hop on and hold tight. Every ‘sky is falling’ panic has been screamed and screamed again. Best to remain calm, keep your head down, and dedicate yourself to the work at hand. The rest is just noise.” For Esquire, Paul Thomas Anderson and Leonardo DiCaprio converse about One Battle After Another (2025), their respective careers, and the passage of time.
  • “Proposing myself as the first writer on a big-budget, major-studio comic book adventure movie was, in other words, kind of a stretch. My screenwriting credits were nil. I had not, as I say, begun the novel that exposed me as one of those people, rarer at the time than they are today, who did that paradoxical thing of taking comic books seriously.” On his Substack, Michael Chabon recalls his experience pitching a Fantastic Four movie, despite being severely undercredentialed, in the early aughts.
  • “If anything links Hauser’s characters, it’s that many are broken men, often with an inflated sense of their own capabilities, who nevertheless forcefully assert their own perspective. He wonders if he is unconsciously revealing certain elements of himself: ‘I feel like I have a chip on my shoulder quite often. I have what Christopher Plummer called ‘the Great Rage.’” For Vulture, Nate Jones profiles Paul Walter Hauser amidst his prolific run of supporting performances this year in The Fantastic Four: First Steps (2025), The Naked Gun (2025), Americana (2025), and Springsteen: Deliver Me From Nowhere (2025).
RECOMMENDED EVENTS
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The Last Day (Rachel Rose, 2023). Installation view at Luma Westbau.
  • London, August 29 through September 7: The Institute of Contemporary Arts presents Serge Daney and the Promise of Cinema, a program dedicated to the influential film critic’s writing and ideas through ten films that evoke his worldview. The series—copresented with Sabzian—opens with Fritz Lang’s Moonfleet (1955) and Alain Resnais’s Night and Fog (1956) and closes with Maurice Pialat’s Van Gogh (1991).
  • Luxembourg, August 29 through January 4, 2026: The Contemporary Art Museum of Luxembourg presents Phantasmic Screens, an exhibition by artist Tiffany Sia that “explores memory in exile through the symbolic dimension of landscape.”
  • Zurich, through September 7: Luma Westbau presents Rachel Rose’s The Last Day (2023), a seven-minute video piece that “traverses geological epochs” through thousands of photos taken in her child’s bedroom. The exhibition will be presented at the Westbau space.
  • Amsterdam, through September 7: Eye Filmmuseum presents Revolutions, the first European solo exhibition by American filmmaker and artist Garrett Bradley, which includes multiple video installations from across her career.
RECOMMENDED VIEWING
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GAZA.MP4 (Diaa Lagan, Mohannad El-Masria, and Fuad Halwani, 2024).
  • ​​Film journal and virtual cinematheque Ultra Dogme presents The Dawn Will Break: Two Films for Gaza, which is available to stream through August 29 as a donation initiative for The Sameer Project, a mutual aid organization inside Gaza. The program includes Vincent Guilbert’s If I forget thee, Gaza (2024) and Diaa Lagan, Mohannad El-Masria, and Fuad Halwani’s GAZA.MP4 (2024).
  • Film Movement presents a trailer for Stranger Eyes (2025), Yeo Siew Hua’s surveillance thriller, the “formal coldness” of which, writes Celia Mattison, “is matched by its icy portrayal of grief.” The film, starring Lee Kang-sheng, will be in theaters starting August 29.
  • Neon presents a trailer for Splitsville (2025), an open-marriage comedy starring Dakota Johnson and Adria Arjona, will enter limited release on August 22 before expanding wide on September 5.
  • Ben Rivers presents a trailer for his dreamlike feature Mare’s Nest (2025), which follows a young girl’s journey through a strange, adult-free world, based on Don DeLillo’s one-act play The Word for Snow (2007). It premiered at Locarno Film Festival and will play at TIFF on September 4.
RECENTLY ON NOTEBOOK
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A Song to Remember (Charles Vidor, 1945).
  • “The form is made up of the debris and the outtakes, the leftover and the discarded, presenting a parallel to the populations similarly located in dominant social orders.” Yasmina Price’s dispatch from Rome’s UnArchive festival extols the political possibilities of found-footage film.
  • “In the 1960s and the ’70s, artists behind the Iron Curtain had to resort to “Aesopian language,” concealing their meaning in metaphors and symbolism in order to pass the scrutiny of censors.” Yoana Pavlova remembers the generation of Bulgarian filmmakers who took refuge in children’s cinema.
  • “Her dissatisfaction with her transformation, the recognition of its inauthenticity, is palpable in Oberon’s performance, as though she’d rehearsed this sense of self-hatred all her life.” Nirris Nagendrarajah considers the slippage between the screen personae and personal lives of Merle Oberon and Nancy Kwan.
  • “They do much more than using the colonizer’s tongue to curse back in Calibanesque fashion.” Sakhi Thirani delivers a primer on adaptations of Shakespeare in Bollywood, where the tragic romance of Rome and Juliet, for instance, took on new resonance for lovers rebelling against caste-bound arranged marriages.
WISH LIST
  • O Brother, What Might Have Been, which gathers three unproduced screenplays from writer-director Preston Sturges and features a foreword from his son Tom, will be available to purchase from Sticking Place Books on August 29.
  • Jean-Luc Godard’s Unmade and Abandoned Projects, Michael Witt’s comprehensive survey of the late director’s unrealized works, is available to preorder from Bloomsbury.
EXTRAS
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  • For those looking to get a head start on Halloween, Funky Bunky has a fairly bizarre selection of face masks for sale, including Agnes Varda, Apichatpong Weerasethakul, and Claire Denis.
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21 August 2025

This Week In Documentary

Written by Paul Moon

Last year at this time, I spotlighted the documentaries of Robert Greenwald. It was his birthday, and it was also a big moment for political films, being a U.S. presidential election year. He had just released a new short film. He would go on to release three more, specifically focused on Donald Trump, ahead of the election. Now he’s turning 80 and deserving of more lifetime achievement recognition. I haven’t seen his latest documentary, Gaza: Journalists Under Fire, but it seems pretty timely after this month’s airstrike deaths of Al Jazeera correspondents Anas al-Sharif, Mohammed Qreiqeh, Ibrahim Zaher, and Mohammed Noufal.

Without further ado, below are this week’s documentary highlights, including capsule reviews of new nonfiction films and series. They are followed by daily listings for all notable releases and a brief look at what’s coming soon for doc fans (including the latest from Raoul Peck). Please consider becoming a paid subscriber to receive more in-depth highlights and reviews in the future, and to give me more time to watch more (if not everything) available.

Nonfics Picks Of The Week: When The Levees Broke: A Requiem In Four Acts (2006), If God Is Willing And Da Creek Don’t Rise (2010), & Katrina: Come Hell And High Water (2025)

Dueling with National Geographic’s Hurricane Katrina: Race Against Time, Netflix’s Katrina: Come Hell and High Water is another docuseries looking back at the titular disaster for its 20th anniversary this summer. The big sell here is perhaps that Spike Lee is one of the directors, alongside Geeta Gandbhir and Samantha M. Knowles (both of whom directed parts of this year’s Eyes on the Prize III). In 2006, Lee helmed the acclaimed Katrina documentary When the Levees Broke: A Requiem in Four Acts, which he followed up in 2010 with If God Is Willing and da Creek Don’t Rise. I’m surprised he and the streaming service aren’t making a bigger deal out of this one, but he’s also busy promoting his film Highest 2 Lowest this month. I will have more to say about it when the review embargo lifts on August 25, so come back to see my thoughts then.

When the Levees Broke: A Requiem in Four Acts and If God Is Willing and da Creek Don’t Rise are both available to stream on HBO Max.

Katrina: Come Hell and High Water begins streaming in full on Netflix on August 27.


Other Documentary Highlights

James Webb in James Can Eat

James Can Eat (2025)

Ever since the one time I attended the Nathan’s Hot Dog Eating Contest (I’m too old now to recall if it was in 2006 or 2007), I’ve been fascinated by the world of competitive eating. I hadn’t seen a memorable or at least a uniquely different documentary about any competitor or any side of this world, however, since Crazy Legs Conti: Zen and the Art of Competitive Eating, which came out 20 years ago. James Can Eat, which is focused on James Webb, finally offers some aspects I haven’t seen or heard much about, including the offshoot idea of doing solo eating challenges for online video channels and social media.

Webb, who is relatively new to the sport compared to guys like Crazy Legs Conti and regular Nathan’s champ Joey Chestnut, also has a compelling backstory. James Can Eat also looks more into the debates on whether competitive eating is a sport and whether it’s as unhealthy as it seems. His wife’s complicated acceptance of Webb’s chosen career is interesting, as are the addresses of various controversies concerning him, other eaters, and the circuit overall. My only complaint about the film, which I’d otherwise recommend to anyone curious about this world, is that it occasionally gets sidetracked, most notably when it interviews a guy who made a scene at one of the Nathan’s events to protest the treatment of animals by the meat industry. Sometimes it seemed the filmmakers wanted it to be a documentary about competitive eating in general when it should have been more focused on just Webb’s place in that world.

James Can Eat will be released on VOD on Friday, August 22.

A New Kind Of Wilderness (2024)

I finally caught up with A New Kind of Wilderness, which won the Grand Jury Prize for the World Cinema – Documentary program at the 2024 Sundance Film Festival, but I’m not sure I can rightly say that I’ve watched it as truly intended. For its PBS broadcast, via POV, the documentary has been abridged from feature-length to 56 minutes. That’s plenty of time for me to appreciate the film’s story of a family in Norway whose lives are drastically changed after the death of their wife and mother, and the beautiful way it’s shot, but I kept wondering what was cut out for this version.

There was a time when I wouldn’t tolerate shorter cuts of films for their PBS broadcast, and I used to associate and criticize it more with Independent Lens airings. Now I just wish that there was more (or any) transparency regarding the edits. We know we’re getting extended cuts of movies because they’re labeled as such. Same with director’s cuts and other variations. Why not a label for abridged documentaries? How can I properly review A New Kind of Wilderness and, say, log it on Rotten Tomatoes and Letterboxd when it’s not the same film that critics saw at Sundance and other festivals or for its theatrical release? I’d rather be able to be clear in what I watched and am critiquing. It pains me to complain when I want to support PBS and its shows more than ever right now, but it needs to be addressed.

A New Kind of Wilderness (Abridged) makes its broadcast debut on PBS as an episode of POV and begins streaming on PBS Passport on Monday, August 25.

Pavements (2024)

I thought about making Pavements the Pick of the Week again, for a third time, but it’s only been a little over a month since the last time (and I’m mostly just copying and pasting that write-up this time anyway). Regardless, Pavements is a must-see, in case you haven’t seen its placement on my list of the best documentaries of 2025 so far. And you don’t have to be a fan of its subject to enjoy it. The experimental hybrid film, directed by Alex Ross Perry and produced and edited by Robert Greene, “provides a sense of Pavement more comprehensive (but also more artificial) than a typical talking-head-filled rock documentary would,” I wrote back in May. “It’s the sort of music film that satisfies the film audience even if they don’t care for the music, and vice versa.”

Pavements will be released on Blu-ray on Tuesday, August 26.

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Documentary Release Calendar 8/22/25 – 8/28/25

Fred Hechinger, Joe Keery, and Jason Schwartzman in Pavements

Friday, August 22, 2025

Diamond Demon (1947) – A short documentary showcasing the talents of baseball pitcher Johnny Price. (TCM)

Hope in High Water: A People’s Recovery Twenty Years After Hurricane Katrina (2025) – A documentary feature looking back at Hurricane Katrina, focused on people who never left New Orleans. (Peacock)

James Can Eat (2025) – A documentary feature about Australian competitive eater James Webb. (VOD)

One Got Fat (1963) – A short instructional film about bicycle safety. (TCM)

The Truth About Jussie Smollett? (2025) – A documentary feature about actor Jussie Smollett and his scandal involving a hate crime hoax. (Netflix)

Saturday, August 23, 2025

Buried in the Backyard Season 6, Episode 7: “Portrait of a Tragedy” – The latest installment of a true-crime docuseries about the odd locations where murder victims were found. This episode involves a young artist whose body was found in a suitcase. (Oxygen True Crime)

Naming the Dead Season 1, Episode 4: “The Body on the Train” – The latest installment of a docuseries about bodies being identified through genealogical investigations. (National Geographic)

Sunday, August 24, 2025

Girl Climber (2025) – A documentary following Emily Harrington as she climbs Yosemite’s El Capitan. (In IMAX Theaters)

How to Sleep (1935) – An Oscar-winning comedic educational short starring and narrated by Robert Benchley based on a recent sleep study. (TCM)

The Last Rhinos: A New Hope (2025) – A nature documentary focused on the endangered northern white rhinoceros. (National Geographic)

Looking at London (1946) – A short documentary installment of James A. FitzPatrick’s TravelTalks travelogue franchise that explores London post-World War II. (TCM)

Naming the Dead Season 1, Episode 4: “The Body on the Train” – The latest installment of a docuseries about bodies being identified through genealogical investigations. (Hulu and Disney+)

Naomi Osaka: The Second Set (2025) – A documentary feature about the titular tennis pro following the birth of her daughter. (Tubi)

New Orleans: Soul of a City Episode 1: “Rebirth of the Superdome” – The first episode of a four-part docuseries about the titular city. (CNN)

The Yogurt Shop Murders Episode 4: “In Your Time” – The final installment of a four-part true-crime docuseries by Margaret Brown (Descendant) about the killing of four teenagers in 1991. (HBO and HBO Max)

Monday, August 25, 2025

Born to Fight (1956) – A short documentary showcasing bullfighting in Portugal. (TCM)

Decade for Decision (1957) – A short documentary about the threat of the Soviet launch of the first satellite, Sputnik. (TCM)

The Last Rhinos: A New Hope (2025) – A nature documentary focused on the endangered northern white rhinoceros. (Hulu and Disney+)

A New Kind of Wilderness (2024) – A documentary feature about a family attempting to live a free life in the Norwegian wilderness. (PBS and PBS Passport)

The Relaxed Wife (1957) – A short industrial film intended to help working men and their wives. (TCM)

Survival Mode Season 1, Episode 8: “Superstorm Sandy” – The latest installment of this docuseries focuses on Hurricane Sandy. (NBC)

Tuesday, August 26, 2025

The Britto Doc (2025) – A biographical documentary about artist Romero Britto. (VOD)

The Ghost of Peter Sellers (2018) – A biographical documentary about the titular actor. (Blu-ray)

Good Eating Habits (1951) – A short educational film that teaches children proper eating habits and manners. (TCM)

The Gospel of Revolution (2024) – A documentary feature about Latin America’s Liberation Theology religious movement. (Apple TV)

Hard Knocks: Training Camp with the Buffalo Bills Episode 4 – The latest installment of the Hard Knocks franchise goes behind the scenes with the titular NFL football team. (HBO and HBO Max)

Jethro Tull: Their Fully Authorized Story (2008) – A documentary about the titular rock band. (DVD)

Lynden (2024) – A documentary feature about a teenage girl leading a racial justice march in her conservative town. (DVD and Blu-ray)

Pavements (2024) – A hybrid feature about the rock band Pavement. (Blu-ray)

Route One USA (1989) – A four-hour road trip documentary following Route 1 from Canada to the southern tip of Florida. (DVD and Blu-ray)

Ruby Red Handed: Stealing America’s Most Famous Pair of Shoes (2025) – A docuseries about the theft of a pair of ruby slippers from The Wizard of Oz. (Hulu)

Sharksploitation (2023) – A documentary feature about the cinematic legacy of sharks. (Blu-ray)

The Ship That Died (1938) – A short documentary about a mysteriously abandoned ship. (TCM)

Stans (2025) – A documentary produced by Eminem about superfandom. (Paramount+)

Steve McQueen: Desert Racer (2015) – A sports documentary about actor Steve McQueen’s past time riding motorcycles in the desert. (DVD)

Wednesday, August 27, 2025

6 Days (2025) – A road trip documentary starring the band Day6. (In Theaters)

Billy Rose’s Casa Mañana Revue (1938) – A short film showcasing the titular musical revue. (TCM)

Katrina: Come Hell and High Water (2025) – A docuseries directed by Spike Lee, Geeta Gandbhir, and Samantha M. Knowles about Hurricane Katrina. (Netflix)

Liberation: D-Day to Berlin (2025) – A docuseries about the liberation of Western Europe during World War II. (Paramount+)

Shipwreck Hunters Australia Season 2 – A docuseries about divers who explore shipwrecks. (Disney+)

To Catch a Smuggler Season 9, Episode 7: “Supercharged Botox and Blow” – The latest installment of a docuseries following U.S. Customs and Border Protection agents. This episode involves the smuggling of cocaine and marijuana. (National Geographic)

Thursday, August 28, 2025

Chloe Ayling: My Unbelievable Kidnapping (2025) – A documentary about the abduction of British glamour model Chloe Ayling. (AMC+)

Dear Viv (2025) – A biographical documentary about the drag queen known as The Vivienne. (WOW Presents Plus)

Lost Treasures of Arabia: Ancient City of Dadan – A documentary about a Saudi Arabian city that existed more than 2,000 years ago. (National Geographic)

M-G-M Jubilee Overture (1954) – A short music film celebrating MGM’s 30th anniversary and showcasing performances by The M-G-M Symphony Orchestra. (TCM)

Millionaire (2025) – A documentary feature about a Chilean man who won the lottery but had a contested ticket. (Netflix)

That’s Entertainment! (1974) – A feature documentary showcasing moments from classic MGM musicals. (TCM)

True Crime Story: Smugshot Season 2, Episode 3: “The Getaway” – The latest installment of a docuseries about disturbing cases where people thought they could get away with crimes. (Sundance TV)

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Sneak Peek At What’s Coming Soon

9/1 – Make a Circle – A documentary about child care providers. (PBS)

9/4 – Blood & Myth – A true-crime documentary about an Alaskan criminal who claimed to be influenced by mythical creatures. (Hulu)

9/5 – Torn: The Israel-Palestine Poster War on NYC Streets – A documentary feature about a clash between pro-Israel activists and pro-Palestine activists involving posters around New York City. Watch the new trailer for the film below. (In Theaters)

9/9 – Becoming Thurgood: America’s Social Architect – A documentary about Thurgood Marshall. (PBS)

9/19 – Predators – A documentary about the TV series To Catch a Predator. Read our review of Predators from the 2025 Sundance Film Festival. Watch the new trailer for the film below. (In Theaters)

9/21 – Andrea Bocelli: Because I Believe – A documentary feature showcasing the titular Italian tenor on and off stage. (In Theaters)

9/30 – Prime Minister – A documentary about the former New Zealand prime minister Jacinda Ardern. Read our review of Prime Minister from Sundance. (HBO Max)

10/3 – Orwell: 2 + 2 = 5 – A documentary feature by Oscar-nominated filmmaker Raoul Peck (I Am Not Your Negro) about George Orwell. Watch the new trailer for the film below. (In Theaters)

10/10 – There Was, There Was Not – A documentary feature following four Armenian women during the surprise invasion of Artsakh. (In Theaters)

10/17 – The Man Who Saves the World? – A documentary feature by Gabe Polsky (Red Army) about a man who believes he has a calling to unite Amazonian tribes to save the rainforest. (In Theaters)

11/21 – Zodiac Killer Project – A meta-textual true-crime documentary about an abandoned documentary on the Zodiac Killer. Read our review of Zodiac Killer Project. (In Theaters)

Nonfics is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

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21 August 2025

This Week In Documentary

Written by Paul Moon

Last year at this time, I spotlighted the documentaries of Robert Greenwald. It was his birthday, and it was also a big moment for political films, being a U.S. presidential election year. He had just released a new short film. He would go on to release three more, specifically focused on Donald Trump, ahead of the election. Now he’s turning 80 and deserving of more lifetime achievement recognition. I haven’t seen his latest documentary, Gaza: Journalists Under Fire, but it seems pretty timely after this month’s airstrike deaths of Al Jazeera correspondents Anas al-Sharif, Mohammed Qreiqeh, Ibrahim Zaher, and Mohammed Noufal.

Without further ado, below are this week’s documentary highlights, including capsule reviews of new nonfiction films and series. They are followed by daily listings for all notable releases and a brief look at what’s coming soon for doc fans (including the latest from Raoul Peck). Please consider becoming a paid subscriber to receive more in-depth highlights and reviews in the future, and to give me more time to watch more (if not everything) available.

Nonfics Picks Of The Week: When The Levees Broke: A Requiem In Four Acts (2006), If God Is Willing And Da Creek Don’t Rise (2010), & Katrina: Come Hell And High Water (2025)

Dueling with National Geographic’s Hurricane Katrina: Race Against Time, Netflix’s Katrina: Come Hell and High Water is another docuseries looking back at the titular disaster for its 20th anniversary this summer. The big sell here is perhaps that Spike Lee is one of the directors, alongside Geeta Gandbhir and Samantha M. Knowles (both of whom directed parts of this year’s Eyes on the Prize III). In 2006, Lee helmed the acclaimed Katrina documentary When the Levees Broke: A Requiem in Four Acts, which he followed up in 2010 with If God Is Willing and da Creek Don’t Rise. I’m surprised he and the streaming service aren’t making a bigger deal out of this one, but he’s also busy promoting his film Highest 2 Lowest this month. I will have more to say about it when the review embargo lifts on August 25, so come back to see my thoughts then.

When the Levees Broke: A Requiem in Four Acts and If God Is Willing and da Creek Don’t Rise are both available to stream on HBO Max.

Katrina: Come Hell and High Water begins streaming in full on Netflix on August 27.


Other Documentary Highlights

James Webb in James Can Eat

James Can Eat (2025)

Ever since the one time I attended the Nathan’s Hot Dog Eating Contest (I’m too old now to recall if it was in 2006 or 2007), I’ve been fascinated by the world of competitive eating. I hadn’t seen a memorable or at least a uniquely different documentary about any competitor or any side of this world, however, since Crazy Legs Conti: Zen and the Art of Competitive Eating, which came out 20 years ago. James Can Eat, which is focused on James Webb, finally offers some aspects I haven’t seen or heard much about, including the offshoot idea of doing solo eating challenges for online video channels and social media.

Webb, who is relatively new to the sport compared to guys like Crazy Legs Conti and regular Nathan’s champ Joey Chestnut, also has a compelling backstory. James Can Eat also looks more into the debates on whether competitive eating is a sport and whether it’s as unhealthy as it seems. His wife’s complicated acceptance of Webb’s chosen career is interesting, as are the addresses of various controversies concerning him, other eaters, and the circuit overall. My only complaint about the film, which I’d otherwise recommend to anyone curious about this world, is that it occasionally gets sidetracked, most notably when it interviews a guy who made a scene at one of the Nathan’s events to protest the treatment of animals by the meat industry. Sometimes it seemed the filmmakers wanted it to be a documentary about competitive eating in general when it should have been more focused on just Webb’s place in that world.

James Can Eat will be released on VOD on Friday, August 22.

A New Kind Of Wilderness (2024)

I finally caught up with A New Kind of Wilderness, which won the Grand Jury Prize for the World Cinema – Documentary program at the 2024 Sundance Film Festival, but I’m not sure I can rightly say that I’ve watched it as truly intended. For its PBS broadcast, via POV, the documentary has been abridged from feature-length to 56 minutes. That’s plenty of time for me to appreciate the film’s story of a family in Norway whose lives are drastically changed after the death of their wife and mother, and the beautiful way it’s shot, but I kept wondering what was cut out for this version.

There was a time when I wouldn’t tolerate shorter cuts of films for their PBS broadcast, and I used to associate and criticize it more with Independent Lens airings. Now I just wish that there was more (or any) transparency regarding the edits. We know we’re getting extended cuts of movies because they’re labeled as such. Same with director’s cuts and other variations. Why not a label for abridged documentaries? How can I properly review A New Kind of Wilderness and, say, log it on Rotten Tomatoes and Letterboxd when it’s not the same film that critics saw at Sundance and other festivals or for its theatrical release? I’d rather be able to be clear in what I watched and am critiquing. It pains me to complain when I want to support PBS and its shows more than ever right now, but it needs to be addressed.

A New Kind of Wilderness (Abridged) makes its broadcast debut on PBS as an episode of POV and begins streaming on PBS Passport on Monday, August 25.

Pavements (2024)

I thought about making Pavements the Pick of the Week again, for a third time, but it’s only been a little over a month since the last time (and I’m mostly just copying and pasting that write-up this time anyway). Regardless, Pavements is a must-see, in case you haven’t seen its placement on my list of the best documentaries of 2025 so far. And you don’t have to be a fan of its subject to enjoy it. The experimental hybrid film, directed by Alex Ross Perry and produced and edited by Robert Greene, “provides a sense of Pavement more comprehensive (but also more artificial) than a typical talking-head-filled rock documentary would,” I wrote back in May. “It’s the sort of music film that satisfies the film audience even if they don’t care for the music, and vice versa.”

Pavements will be released on Blu-ray on Tuesday, August 26.

Subscribe now


Documentary Release Calendar 8/22/25 – 8/28/25

Fred Hechinger, Joe Keery, and Jason Schwartzman in Pavements

Friday, August 22, 2025

Diamond Demon (1947) – A short documentary showcasing the talents of baseball pitcher Johnny Price. (TCM)

Hope in High Water: A People’s Recovery Twenty Years After Hurricane Katrina (2025) – A documentary feature looking back at Hurricane Katrina, focused on people who never left New Orleans. (Peacock)

James Can Eat (2025) – A documentary feature about Australian competitive eater James Webb. (VOD)

One Got Fat (1963) – A short instructional film about bicycle safety. (TCM)

The Truth About Jussie Smollett? (2025) – A documentary feature about actor Jussie Smollett and his scandal involving a hate crime hoax. (Netflix)

Saturday, August 23, 2025

Buried in the Backyard Season 6, Episode 7: “Portrait of a Tragedy” – The latest installment of a true-crime docuseries about the odd locations where murder victims were found. This episode involves a young artist whose body was found in a suitcase. (Oxygen True Crime)

Naming the Dead Season 1, Episode 4: “The Body on the Train” – The latest installment of a docuseries about bodies being identified through genealogical investigations. (National Geographic)

Sunday, August 24, 2025

Girl Climber (2025) – A documentary following Emily Harrington as she climbs Yosemite’s El Capitan. (In IMAX Theaters)

How to Sleep (1935) – An Oscar-winning comedic educational short starring and narrated by Robert Benchley based on a recent sleep study. (TCM)

The Last Rhinos: A New Hope (2025) – A nature documentary focused on the endangered northern white rhinoceros. (National Geographic)

Looking at London (1946) – A short documentary installment of James A. FitzPatrick’s TravelTalks travelogue franchise that explores London post-World War II. (TCM)

Naming the Dead Season 1, Episode 4: “The Body on the Train” – The latest installment of a docuseries about bodies being identified through genealogical investigations. (Hulu and Disney+)

Naomi Osaka: The Second Set (2025) – A documentary feature about the titular tennis pro following the birth of her daughter. (Tubi)

New Orleans: Soul of a City Episode 1: “Rebirth of the Superdome” – The first episode of a four-part docuseries about the titular city. (CNN)

The Yogurt Shop Murders Episode 4: “In Your Time” – The final installment of a four-part true-crime docuseries by Margaret Brown (Descendant) about the killing of four teenagers in 1991. (HBO and HBO Max)

Monday, August 25, 2025

Born to Fight (1956) – A short documentary showcasing bullfighting in Portugal. (TCM)

Decade for Decision (1957) – A short documentary about the threat of the Soviet launch of the first satellite, Sputnik. (TCM)

The Last Rhinos: A New Hope (2025) – A nature documentary focused on the endangered northern white rhinoceros. (Hulu and Disney+)

A New Kind of Wilderness (2024) – A documentary feature about a family attempting to live a free life in the Norwegian wilderness. (PBS and PBS Passport)

The Relaxed Wife (1957) – A short industrial film intended to help working men and their wives. (TCM)

Survival Mode Season 1, Episode 8: “Superstorm Sandy” – The latest installment of this docuseries focuses on Hurricane Sandy. (NBC)

Tuesday, August 26, 2025

The Britto Doc (2025) – A biographical documentary about artist Romero Britto. (VOD)

The Ghost of Peter Sellers (2018) – A biographical documentary about the titular actor. (Blu-ray)

Good Eating Habits (1951) – A short educational film that teaches children proper eating habits and manners. (TCM)

The Gospel of Revolution (2024) – A documentary feature about Latin America’s Liberation Theology religious movement. (Apple TV)

Hard Knocks: Training Camp with the Buffalo Bills Episode 4 – The latest installment of the Hard Knocks franchise goes behind the scenes with the titular NFL football team. (HBO and HBO Max)

Jethro Tull: Their Fully Authorized Story (2008) – A documentary about the titular rock band. (DVD)

Lynden (2024) – A documentary feature about a teenage girl leading a racial justice march in her conservative town. (DVD and Blu-ray)

Pavements (2024) – A hybrid feature about the rock band Pavement. (Blu-ray)

Route One USA (1989) – A four-hour road trip documentary following Route 1 from Canada to the southern tip of Florida. (DVD and Blu-ray)

Ruby Red Handed: Stealing America’s Most Famous Pair of Shoes (2025) – A docuseries about the theft of a pair of ruby slippers from The Wizard of Oz. (Hulu)

Sharksploitation (2023) – A documentary feature about the cinematic legacy of sharks. (Blu-ray)

The Ship That Died (1938) – A short documentary about a mysteriously abandoned ship. (TCM)

Stans (2025) – A documentary produced by Eminem about superfandom. (Paramount+)

Steve McQueen: Desert Racer (2015) – A sports documentary about actor Steve McQueen’s past time riding motorcycles in the desert. (DVD)

Wednesday, August 27, 2025

6 Days (2025) – A road trip documentary starring the band Day6. (In Theaters)

Billy Rose’s Casa Mañana Revue (1938) – A short film showcasing the titular musical revue. (TCM)

Katrina: Come Hell and High Water (2025) – A docuseries directed by Spike Lee, Geeta Gandbhir, and Samantha M. Knowles about Hurricane Katrina. (Netflix)

Liberation: D-Day to Berlin (2025) – A docuseries about the liberation of Western Europe during World War II. (Paramount+)

Shipwreck Hunters Australia Season 2 – A docuseries about divers who explore shipwrecks. (Disney+)

To Catch a Smuggler Season 9, Episode 7: “Supercharged Botox and Blow” – The latest installment of a docuseries following U.S. Customs and Border Protection agents. This episode involves the smuggling of cocaine and marijuana. (National Geographic)

Thursday, August 28, 2025

Chloe Ayling: My Unbelievable Kidnapping (2025) – A documentary about the abduction of British glamour model Chloe Ayling. (AMC+)

Dear Viv (2025) – A biographical documentary about the drag queen known as The Vivienne. (WOW Presents Plus)

Lost Treasures of Arabia: Ancient City of Dadan – A documentary about a Saudi Arabian city that existed more than 2,000 years ago. (National Geographic)

M-G-M Jubilee Overture (1954) – A short music film celebrating MGM’s 30th anniversary and showcasing performances by The M-G-M Symphony Orchestra. (TCM)

Millionaire (2025) – A documentary feature about a Chilean man who won the lottery but had a contested ticket. (Netflix)

That’s Entertainment! (1974) – A feature documentary showcasing moments from classic MGM musicals. (TCM)

True Crime Story: Smugshot Season 2, Episode 3: “The Getaway” – The latest installment of a docuseries about disturbing cases where people thought they could get away with crimes. (Sundance TV)

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Sneak Peek At What’s Coming Soon

9/1 – Make a Circle – A documentary about child care providers. (PBS)

9/4 – Blood & Myth – A true-crime documentary about an Alaskan criminal who claimed to be influenced by mythical creatures. (Hulu)

9/5 – Torn: The Israel-Palestine Poster War on NYC Streets – A documentary feature about a clash between pro-Israel activists and pro-Palestine activists involving posters around New York City. Watch the new trailer for the film below. (In Theaters)

9/9 – Becoming Thurgood: America’s Social Architect – A documentary about Thurgood Marshall. (PBS)

9/19 – Predators – A documentary about the TV series To Catch a Predator. Read our review of Predators from the 2025 Sundance Film Festival. Watch the new trailer for the film below. (In Theaters)

9/21 – Andrea Bocelli: Because I Believe – A documentary feature showcasing the titular Italian tenor on and off stage. (In Theaters)

9/30 – Prime Minister – A documentary about the former New Zealand prime minister Jacinda Ardern. Read our review of Prime Minister from Sundance. (HBO Max)

10/3 – Orwell: 2 + 2 = 5 – A documentary feature by Oscar-nominated filmmaker Raoul Peck (I Am Not Your Negro) about George Orwell. Watch the new trailer for the film below. (In Theaters)

10/10 – There Was, There Was Not – A documentary feature following four Armenian women during the surprise invasion of Artsakh. (In Theaters)

10/17 – The Man Who Saves the World? – A documentary feature by Gabe Polsky (Red Army) about a man who believes he has a calling to unite Amazonian tribes to save the rainforest. (In Theaters)

11/21 – Zodiac Killer Project – A meta-textual true-crime documentary about an abandoned documentary on the Zodiac Killer. Read our review of Zodiac Killer Project. (In Theaters)

Nonfics is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

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20 August 2025

Swamp Dogg Set to Open Lunenburg Doc Fest

Written by Paul Moon

Swamp Dogg Gets His Pool Painted will open the 2025 Lunenburg Doc Fest (LDF). The documentary festival in Nova Scotia, running September 17 to 21, announced today that the doc directed by Isaac Gale, Ryan Olson, and David McMurray will lead this year line-up spanning over 25 features and 33 shorts. The doc profiles the titular American musician and cult icon, Jerry “Swamp Dogg” Williams, who lives with colleagues, Larry “Moogstar” Clemons and David “Guitar Shorty” Kearney, the latter of whom passed during filming. Swamp Dogg Gets His Pool Painted serves as LDF’s “Sunset Gala” to kick off this year’s festival with Swamp Dogg and Moogstar performing afterwards.

Closing the festival will be the Canadian premiere of Silver Screamers, directed by Sean Cisterna. The tribute to filmmaking goes along for the ride with Cisterna as he endeavours to make a short horror-comedy with a group of senior citizens. Cisterna will attend LDF for an in-person Q&A following the screening.

Also having its Canadian premiere at the festival is Last Ride Home from Nova Scotia filmmaker Joshua Saunders. The documentary follows volunteer medics on the front lines of the war in Ukraine and explores the lives at home they’re protecting. Saunders embedded himself within the volunteers for over 180 days.

Other LDF highlights include The Eyes of Ghana from Halifax native Ben Proudfoot. The two-time Oscar winner’s latest doc tells the story of 93-year-old filmmaker Chris Hesse, who served as the personal cinematographer of revolutionary African leader Kwame Nkrumah. Proudfoot will join for a virtual Q&A.

Hits from the circuit having their Atlantic Canadian premieres at LDF include Blue Road: The Edna O’Brien Story about the late the Irish writer who broke ground for representing women’s experiences in a conservative Catholic society. Sepideh Farsi’s Put Your Soul on Your Hand and Walk offers a portrait of late Palestinian journalist Fatma Hassona, who was tragically killed alongside her family when a missile struck their Gaza home. Global conflict also fuels Mstyslav Chernov’s 2000 Meters to Andriivka, which takes audiences to the front lines of the war in Ukraine in a gripping follow-up to his Oscar winner 20 Days in Mariupol. And in How to Build a Library, Chris King and Maia Lekow follow two women who endeavour to rejuvenate Nairobi’s public library, while Jennifer Tiexiera and Guy Mossman deliver a triumphant take on the competition doc in Speak!, which observes students in a national public speaking competition.

In addition to screenings, LDF includes the West Coast’s top industry summit for documentary. The events include the Launch Pitch Contest, which awards over $20,000 in cash and prizes.

The post Swamp Dogg Set to Open Lunenburg Doc Fest appeared first on POV Magazine.

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20 August 2025

In Memoriam, An Interview with the Late Documentary Filmmaker Joel DeMott and her partner, Jeff Kreines

Written by Paul Moon

In my recent Filmmaker conversation with Julia Loktev about the making of her monumental documentary, My Undesirable Friends, I cited the work of the late documentary filmmaker Joel DeMott, because I believe there is a straight line between DeMott’s approach in the late 1970s to shooting vérité documentary using shoulder-mounted 16mm cameras and Loktev’s latter-day methods using iPhones.  DeMott, who died in June, has been eulogized in obits in Documentary and The New York Times, so no need to recap her venturesome life and career here. Instead, my way of paying homage to the contributions of DeMott and her partner […]

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