Singer-songwriter Sarah McLachlan says, “we need opportunities to feel connection and to feel less alone.” For her, music is the salve. The three-time Grammy Award winner is back with her tenth studio album, Better Broken. Amidst our tense collective cultural moment, McLachlan aims to create music that bridges divide.
In this episode, Sarah McLachlan talks about touring between Canada and the United States and finding common ground with people from all walks of life. We explore the lasting impact of Lilith Fair, the all-women music festival she founded in the 1990s, which featured artists like Sheryl Crow, Jewel, Fiona Apple, Tracy Chapman, and more. McLachlan also shares the influence of Peter Gabriel on her sound, details her own songwriting process, and reflects on the challenges of parenting and how she has imbued those experiences into her new single, “Gravity.”

In 1971, Jean Eustache set a camera in front of his grandmother Odette and invited her to speak. The film that emerged, Numéro Zéro, is a vivid document of one woman’s life told without embellishment. The frame is almost fixed—broken only by a zoom or reframe—but Odette’s words animate it with a striking urgency as she chain-smokes, drinks whiskey, fields interruptions and insists on telling her story on her own terms. Domestic minutiae becomes monumental: Eustache reveals not only the power of a raconteur but also the radical act of listening and granting someone the time and space to summon […]
“To tell you the truth, I was actually quite scared about making a documentary.” It’s a luminous morning in early September and Lucrecia Martel is chewing mate leaves in the restaurant room of a hotel a stone’s throw away from the Adriatic. Her latest, Landmarks, is her first nonfiction work, but to insist on the apparent break from the rest of her oeuvre feels misleading. A chronicle of the trial for the 2009 murder of Javier Chocobar—a member of the indigenous Chuschagasta community killed by a white landowner and two former cops in Tucumán, Argentina—the film still speaks to her […] 











