• News
  • Videos
  • Adobe Premiere Tips
  • About
  • FocusPulling.com
Menu
  • News
  • Videos
  • Adobe Premiere Tips
  • About
  • FocusPulling.com
Home  /  Uncategorized  /  Universal to Drop Alex Gibney’s Elon Musk Documentary, but Bleecker Street Is Sticking With It
17 September 2026

Universal to Drop Alex Gibney’s Elon Musk Documentary, but Bleecker Street Is Sticking With It

Written by Paul Moon
Uncategorized Comments are off

Here’s THR with the “exclusive.” Universal Pictures, which holds rights to Alex Gibney’s documentary “Musk” everywhere outside North America, appears to be reconsidering whether to release it.

The film got reviews at Venice — 77 on Metacritic — but Universal hasn’t set a release date or updated the filmmakers. Two unnamed sources expect the studio to drop it and return the rights, though no final decision has been made and Universal declined to comment.

Meanwhile, Bleecker Street will release it in U.S. theaters this October. They haven’t budged, and will go through with it.

Post-Venice, the film failed to make much of a spark at TIFF, where it screened in the doc section, and its Oscar ambitions (which included Bleecker being dead serious about campaigning it for best picture) seem to have faded. Hell, it might not even get nominated for best documentary, since much buzzier and more acclaimed nonfiction is in the running, including “NAZA,” “You Can See Everything,” “Once Upon a Time in Harlem,” and “American Doctor.”

Although the four-hour doc doesn’t tell us much we didn’t already know about Musk, it suggests (in its final few minutes) that Musk could use data gathered during his DOGE tenure against Democrats in the midterms, and it includes theories about AI-enabled election interference. Musk has called the film a “hit piece,” and his lawyer sent Gibney’s company a warning letter. Universal bought the rights in 2023.

If Universal backs out, it would owe the filmmakers a kill fee, and they could then resell the film. HBO does hold the North American TV and streaming rights, and is still moving ahead — the earliest it could air the film is February, by which point a David Ellison-led acquisition of Warner Bros. Discovery could complicate things, since the film briefly criticizes his father, Larry Ellison.

Now, of course, the main question is whether Universal’s cold feet are due to political pressure (not wanting to be stuck holding a hot potato) or whether the finished film just isn’t what the studio expected when it signed on three years ago. The smart money says it’s the former.

Paul Moon
Connect on Facebook Connect on Twitter Connect on Linkedin

H. Paul Moon is a filmmaker based in New York City and Washington, D.C. whose works concentrate on the performing arts. Major films include “Sitka: A Piano Documentary” about the craftsmanship of Steinway pianos, “Quartet for the End of Time” about Olivier Messiaen’s transcendent WWII composition, and an acclaimed feature film about the life and music of American composer Samuel Barber that premiered on PBS. Moon has created music videos for numerous composers including Moondog, Susan Botti and Angélica Negrón, and three opera films set in a community garden. His film “The Passion of Scrooge” was awarded “Critic's Choice” by Opera News as a “thoroughly enjoyable film version, insightfully conceived and directed” with “first-rate and remarkably illustrative storytelling.” Further highlights include works featured in exhibitions at the Nevada Museum of Art and the City Museum of New York, PBS television broadcasts, and best of show awards in over a dozen international film festivals.

 Previous Article Netflix Reveals Trailer For ‘Hunting Gary Glitter’ Crime Docuseries
Next Article   This Week In Documentary

B&H Search Engine Banner


B&H Photo - Video - Pro Audio














© Copyright 2022 by Zen Violence Films LLC, all rights reserved. To read the site privacy policy and ethics statement, click here.