Joe Coleman and Whitney Ward are having a big summer. The reigning king and queen of the Coney Island Mermaid Parade also are known as two of the most original figures in a New York underground scene that flourished in the 1970s and ‘80s, and they continue to thrive as artists, performers and personalities. Coleman, a visionary painter, curated the sprawling “Carnival” group show at Deitch Projects, on view through June 28, which more than lives up to Coleman’s evocation of “a profane, holy place where the private desires, fantasies and fears of a society are given uninhibited free expression.” […]
The post “But Then My Obsession Went to Darker Things: Joe Coleman and Whitney Ward on Being Subjects in the Tribeca-Premiering Doc, How Dark My Love first appeared on Filmmaker Magazine.